А вот это уже интересно:
The most technically challenging scene in Jupiter Ascending shows the movie’s hero (Channing Tatum) zipping through the city in antigravity boots, fleeing a spaceship in pursuit of his cargo (Mila Kunis). “Most people will probably think it’s digital, but it’s not,” says VFX supervisor Dan Glass. Rather, the sequence features stunt doubles suspended from a helicopter as it banks through Chicago’s urban canyons.
Glass’s team had only 15 minutes a day to film the scene*—a tiny window of predawn light*—so they created a camera capable of squeezing more photography into each shoot. Mounted to the nose of a helicopter, the six-camera rig (called the Panocam) could capture nearly 180 degrees of footage.
By stitching together multiple overlapping angles, the filmmakers could effectively pivot and swing through the action in postproduction, regardless of the helicopter’s actual flight path. Not surprisingly, the innovation quickly attracted the attention of other directors. “That rig is now used on most of the movies that followed us,” says Glass.
Dan Glass, VFX Supervisor for JUPITER ASCENDING
Обидно, что после премьеры все равно 90% людей будут говорить "какое галимое CG" и "все снято на фоне зеленого экрана"