Раздача слонов — Кинонаграды 2024

[drongoryachiy]

1 час назад, Зеленоглазка написал:

У Тайланда ого-го какие рейтинги Леттербокса. И в пятерке Томатов и Метакритик. В лонглисте должен быть. На счет номинации уже сомневаюсь, он универсальный и понятный абсолютно в любой точке мира, несмотря на определенный национальный колорит, но для номинации может показаться голосующим простоватым, недостаточно эстетским. Хотя фильм и очень хороший.

А о чём фильмец-то? Название уже интересное

[Зеленоглазка]

6 минут назад, drongoryachiy написал:

А о чём фильмец-то? Название уже интересное

Внук, желая получить наследство от бабушки и обогнать родственников, начинает ее обхаживать. Это если кратко.

По жанру драмеди, центральный посыл (любите и цените своих близких за них самих, а не за деньги) прост и понятен, но снято достаточно изящно, нежно, в меру сентиментально. Без перегибов с эмоциями, и доступно. Интересное смешение национальных традиций и культуры с современностью. 

[drongoryachiy]

Прикольно, а о шансах на оскаровскую номинацию что думаешь?

[Зеленоглазка]

Да вот мне и интересно. Оценки зрителей отличные, критиков тоже, но формат, кмк, не совсем оскаровский. Слишком зрительское. 

При этом в таблицах у Инжира тоже все отлично, в отличие от Эмилии. И фильм тоже простой по форме, прямолинейный в выразительных средствах, но его месседж это политическое высказывание. Против тирании, против беззакония, против государственного террора, против убийства невинных - за свободу, за справедливость, за правду. Эмилию пока не смотрела, но в возможный оскар Германии уже всерьез верю. 

[drongoryachiy]

А я вообще Эмилию Перес смотреть не хочу, вроде синопсис интересный, но и мюзиклы не моё, и фильмы Одиара мне не заходили, и в целом не цепляет. Вот Семя с куда большей охотой гляну

[Зеленоглазка]

Эмилия, я так понимаю, нестандартный мюзикл. Не что-то типа Дикой. С этой точки зрения интересно оценить.

Семя уже есть в сети в хорошем качестве и с озвучкой, если что. 

[ORANGE'71]

3 минуты назад, Зеленоглазка написал:

Семя уже есть в сети в хорошем качестве и с озвучкой, если что. 

Дай, плиз, ссылку.

[ORANGE'71]

 

[ORANGE'71]

CRITICS POLL: ‘Oppenheimer' Named Best Films of the 2020's, So Far

 

Oppenheimer (Christopher Nolan) — 22 votes
TÁR (Todd Field) — 20
Everything Everywhere All at Once (The Daniels) — 19
Drive My Car (Ryusuke Hamaguchi) — 14
The Zone of Interest (Jonathan Glazer) — 14
Anatomy of A Fall (Justine Triet) — 11
The Power of the Dog (Jane Campion) — 10
Poor Things (Yorgos Lanthimos) — 10
Past Lives (Celine Song) — 10
Licorice Pizza (Paul Thomas Anderson) — 9

The Banshees of Inisherin (Martin McDonagh) — 9
Promising Young Woman (Emerald Fennell) — 9
Anora — (Sean Baker) 8
Aftersun — (Charlotte Wells) — 8
The Fabelmans (Steven Spielberg) — 8
All Of Us Strangers (Andrew Haigh) — 8
Killers of the Flower Moon (Martin Scorsese) — 7
RRR (SS Rajamouli) — 7
Top Gun: Maverick (Joseph Kosinski) — 7
The Worst Person in the World (Joachim Trier) — 7
Barbie (Greta Gerwig) — 7

Цитата

Side note, Sean Baker’s “Anora” was released just last month, and it still managed to finish in the top 13, racking up 8 votes. It was, by far, the most voted 2024 film in the poll, ahead of “Dune: Part II” (5 votes), “The Substance” (4 votes), “Close Your Eyes” (4 votes), “I Saw the TV Glow” (4 votes), “The Beast” (4 votes), and “The Brutalist” (3 votes).

[ORANGE'71]

Critics Choice Documentary Awards

Best Documentary Feature (tie): Super/Man: The Christopher Reeve Story and Will & Harper

Best Director: Ian Bonhôte and Peter Ettedgui, Super/Man: The Christopher Reeve Story

Best New Documentary Filmmaker(s): Natalie Rae and Angela Patton, Daughters

Best Cinematography: Iris Ng, Eunsoo Cho, & Justin Turkowski, The Last of the Sea Women
Best Editing: Otto Burnham, Super/Man: The Christopher Reeve Story
Best Score: Ilan Eshkeri, Super/Man: The Christopher Reeve Story
Best Narration: Steve! (Martin) A Documentary in 2 Pieces - written and performed by Steve Martin

Best Archival Documentary: Super/Man: The Christopher Reeve Story
Best Historical Documentary: The Greatest Night in Pop
Best Biographical Documentary: Super/Man: The Christopher Reeve Story
Best Music Documentary: Music by John Williams
Best Political Documentary: Sugarcane
Best Science/Nature Documentary: The Last of the Sea Women
Best Sports Documentary: Simone Biles Rising
Best True Crime Documentary: Sugarcane

Best Short Documentary: The Only Girl in the Orchestra

Best Limited Documentary Series: Simone Biles Rising
Best Ongoing Documentary Series: 30 for 30

Pennebaker Award: Rory Kennedy

[ORANGE'71]

Camerimage Sexism Backlash: Festival Director Equates the Work of Female DPs with ‘Mediocrity’

Цитата

In response to Women in Cinematography’s August change.org petition calling on the festival to better represent the contribution of women cinematographers, Żydowicz’s Cinematography World column went well beyond defending the festival’s track-record and equated the call for diversity with the festival lowering its high standards.

 

“The film industry is undergoing rapid changes, affecting the cinematic image, its content, and aesthetics,” wrote Żydowicz. “One of the most significant changes is the growing recognition of female cinematographers and directors. This evolution is crucial as it rectifies the obvious injustice present in societal development. However, it also raises a question: Can the pursuit of change exclude what is good? Can we sacrifice works and artists with outstanding artistic achievements solely to make room for mediocre film production?”

 

And that was just the opening paragraph. Żydowicz went on to state he would not submit to current political and ideological trends, refusing to follow in the footstep of the Cannes, Berlin, and Venice film festivals that have been “criticized for their selections due to succumbing to or promoting such trends.”

The response to the article was swift, led by the British Society of Cinematographers, as the 75-year old organization didn’t mince words in calling out what it viewed as Żydowicz’s outdated view of male superiority in the field and for conflating female cinematography with mediocrity.

 

“The BSC wishes to express its disapproval of your recent article in Cinematography World,” reads the association’s Open Letter to Żydowicz. “We are disheartened and angered by your profoundly misogynistic comments and aggressive tone, which we view as symptomatic of a deep-rooted prejudice.”

The BCS letter was backed by its American conterparts, the American Society of Cinematographers (ASC), and echoed in similar rebukes by the Association of Brazilian Cinematographers (ABC), Society of Camera Operators, Canadian Society of Cinematographers (CSC), Women Cinematographers Network (from Germany, Austria & Switzerland), and a number of the biggest names, both men and women, behind the camera.

 

“One cannot call for meritocracy while simultaneously defending misogyny,” wrote Oscar winning DoP Erik Messerschmidt on Instagram. “Citing examples of increased diversity does not excuse the suggestion that nurturing a more inclusive and representative environment will bring ‘mediocrity’ to the festival program. Comments like these are indicative of the problem.”

...

 

[KANe Rock]

Так всё правильно он пишет - единственным критерием отбора должно быть качество работы, а не пол, ориентация, возраст, раса, национальность, вероисповедание или политическая позиция. 

[DandyAndy]

Adrien Brody & Guy Pearce Receiving SBIFF’s Cinema Vanguard Award

Цитата

The Santa Barbara International Film Festival is lauding The Brutalist stars, Oscar winner Adrien Brody and Guy Pearce, with the Cinema Vanguard Award at the 40th annual event on Feb. 13, 2025.

[ORANGE'71]

42 минуты назад, DandyAndy написал:

Adrien Brody & Guy Pearce Receiving SBIFF’s Cinema Vanguard Award

• 2022 - Colin Farrell, The Banshees Of Inisherin + Brendan Gleeson, The Banshees Of Inisherin
• 2016 - Casey Affleck, Manchester by the Sea + Michelle Williams, Manchester by the Sea
• 2014 - Eddie Redmayne, The Theory of Everything + Felicity Jones, The Theory of Everything
• 2011 - Jean Dujardin, The Artist + Berenice Bejo, The Artist

Т.е. каждый раз лид-мужик брал Глобус, и трижды - Оскар.

[Зеленоглазка]

По твоей статистике получается, что для Оскара лиду-мужику нужен женский саппорт, а не мужской. 

[New_Red]

1 час назад, ORANGE'71 написал:

• 2022 - Colin Farrell, The Banshees Of Inisherin + Brendan Gleeson, The Banshees Of Inisherin
• 2016 - Casey Affleck, Manchester by the Sea + Michelle Williams, Manchester by the Sea
• 2014 - Eddie Redmayne, The Theory of Everything + Felicity Jones, The Theory of Everything
• 2011 - Jean Dujardin, The Artist + Berenice Bejo, The Artist

Т.е. каждый раз лид-мужик брал Глобус, и трижды - Оскар.

ну в этот раз будет Гай Пирс ток

[ORANGE'71]

Steve McQueen Not Attending ‘Blitz’ Camerimage Premiere Over Festival Director’s Comments About Women: ‘I Cannot Get Past What I Consider Deeply Offensive Words’

Цитата

Steve McQueen is no longer attending the opening night screening of his new film “Blitz” at Camerimage Film Festival over comments the festival director made about women cinematographers. He had been set to receive the outstanding director award at the event in Toruń, Poland.

Цитата

“Having read Marek Zydowicz’s op-ed concerning female cinematographers, I have decided not to attend the opening night presentation of my film ‘Blitz’ this weekend,” McQueen said in a statement to Variety. “Although he has issued an apology, I cannot get past what I consider deeply offensive words. I have enormous respect for cinematographers of all genders including women, and believe we have to do and demand better to make room for everyone at the table.”

 

[drongoryachiy]

11 часов назад, New_Red написал:

ну в этот раз будет Гай Пирс ток

Ты считаешь, что Пирс возьмёт Оскар? Вроде Броуди больше всех хвалят

[New_Red]

7 минут назад, drongoryachiy написал:

Ты считаешь, что Пирс возьмёт Оскар? Вроде Броуди больше всех хвалят

Ну они в разных категориях. Тем более мы еще пока ничего точно считать не можем 

[ORANGE'71]

https://www.europeanfilmawards.eu/here-come-the-winners-of-the-excellence-awards-2024/

European Cinematography
Benjamin Kračun for THE SUBSTANCE

The jury: “Just as Elisabeth Sparkle’s world in THE SUBSTANCE contracts, the cinematography of Benjamin Kracún simultaneously excels. Despite the constraints of her environment, he playfully explores her physical and psychological demise with highly stylised lens distortions and manipulations. It is loud and glossy, but also manages to eke out an unexpected intimacy and vulnerability. The audience is transported through to an unbearably painful, and hilariously raucous ending, achieved only through collaboration with all departments and is undoubtably a celebration of cinematography and cinema.”

European Editing
Juliette Welfling for EMILIA PÉREZ

The jury: “In the feverish musical odyssey EMILIA PÉREZ, Juliette Welfling’s editing strikes us with its incredible fluidity and elegance. The richness of the story’s registers and tonalities is orchestrated with remarkable meticulousness, immersing the audience in the narrative without feeling any of the usual stop-and-go between sung scenes and the others. Very impressive!”

European Production Design
Jagna Dobesz for THE GIRL WITH THE NEEDLE

The jury: “The difficult life and psychological drama of young Karoline in post-WWI Copenhagen is expertly illustrated by an excellent, interesting, visually strong, and striking production design. Through skillfully designed interiors, along with carefully chosen exteriors, production designer Jagna Dobesz strongly and powerfully contributes to the visual quality and atmosphere of the movie.”

European Costume Design
Tanja Hausner for THE DEVIL’S BATH

The jury: “With great precision and great intelligence, Tanja Hausner’s costumes in THE DEVIL’S BATH build every single character in a masterful and very modern way. They contribute perfectly to the overall picture and story. On top of that, each costume, including the background actors and extras, is a piece of art, exciting in colour, proportions, texture, and visual rhythm.”

European Make-up & Hair
Evalotte Oosterop for WHEN THE LIGHT BREAKS

The jury: “Evalotte Oosterop’s make-up and hair in WHEN THE LIGHT BREAKS takes into account the complexity of the protagonists’ relationships. Without a guideline to follow, she creatively combines classic hairstyles with something we’re not so used to see, matching the story perfectly.”

European Original Score
Frederikke Hoffmeier for THE GIRL WITH THE NEEDLE

The jury: “In an original and experimental way, Frederikke Hoffmeier’s original score in THE GIRL WITH THE NEEDLE works with distortion of acoustic sources and noisy electronic soundscapes. It is minimalistic so as not to steal the show but still to be remembered and conveys the cruelty of the protagonist’s experience. Next to the cinematography which seems extremely modern, although it’s a period film, the music has a modern and brave approach as well and creates a timeless musical language.”

European Sound
Marc-Olivier Brullé, Pierre Bariaud, Charlotte Butrak, Samuel Aïchoun & Rodrigo Diaz for SOULEYMANE’S STORY

The jury: “A perfectly modulated masterpiece of sonic realism. Rather than relying on score, the film utilises dialogue, diegetic music, sound effects and atmospheres to dramatise a despairing journey through the cacophony of Parisian traffic, shops, offices, restaurants and Metro stations. The result is a brave, dynamic work of extreme emotional precision and subtlety. A sublime example of dramaturgical collaboration from script to sound design.”

European Visual Effects
Bryan Jones, Pierre Procoudine-Gorsky, Chervin Shafaghi & Guillaume Le Gouez for THE SUBSTANCE

The jury: “Combining organic SFX and VFX in a surprising way, THE SUBSTANCE shows high-level visual effects in good combination with prosthetics. Stepping back where necessary, there is a lot of excellent VFX which you don’t even notice.”

[MysteryMan]

Круто, заслуженная награда Субстанции в опере! Ура! 

Все время пишу: именно в таких она и должна получать. 

[azerius]

Приглашаем форумчан принять участие в голосовании,
которое сформирует "Канон ФКП: ТОП лучших сериалов всех времен (Премия ФКП)"

Голосование завершится 16 ноября 2024 года в 20-00 по Московскому времени.

[ORANGE'71]

5 минут назад, azerius написал:

Голосование завершится 16 октября 2024 года

Наверно, ноября..

[azerius]

1 минуту назад, ORANGE'71 написал:

Наверно, ноября..

Поправил. Спасибо. 

[DandyAndy]

Palm Springs International Film Awards to Honor ‘Conclave’ With Ensemble Performance Award