Раздача слонов - Кинонаграды 2021 года

[MysteryMan]

ГолдДерби убрал О'Расселла из списков. Пришлось все прогнозы редактировать.

 

Харрасмент?

[ORANGE'71]

Харрасмент?

"Delayed to 2022 (Gold Derby confirmed with studio)."

[тот кот]

98. The Empire Strikes Back (Irvin Kershner, 1980, USA) - 88 votes

98. North by Northwest (Alfred Hitchcock, 1959, USA) - 88

98. Satantango (Bela Tarr, 1994, Hungary-Germany-Switzerland) - 88

98. Some Like it Hot (Billy Wilder, 1959, USA) - 88

96. The Man with a Movie Camera (Dziga Vertov, 1929, USSR) - 90

96. Ran (Akira Kurosawa, 1985, France-Japan) - 90

95. Days of Heaven (Terrence Malick, 1978, USA) - 91

94. L'Avventura (Michelangelo Antonioni, 1960, Italy-France) - 92

93. Beau travail (Claire Denis, 1999, France) - 94

92. Sherlock Jr. (Buster Keaton, 1924, USA) - 95

90. Ordet (Carl Theodor Dreyer, 1955, Denmark) - 96

90. Portrait of a Lady on Fire (Celine Sciamma, 2019, France) - 96

89. Rashomon (Akira Kurosawa, 1950, Japan) - 97

87. Au hasard Balthazar (Robert Bresson, 1966, France) - 98

87. Pierrot le fou (Jean-Luc Godard, 1965, France-Italy) - 98

86. Sansho the Bailiff (Kenji Mizoguchi, 1954, Japan) - 99

84. The Searchers (John Ford, 1956, USA) - 100

84. Synecdoche, New York (Charlie Kaufman, 2008, USA) - 100

81. Jaws (Steven Spielberg, 1975, USA) - 101

81. Magnolia (Paul Thomas Anderson, 1999, USA) - 101

81. Once Upon a Time in America (Sergio Leone, 1984, Italy-USA) - 101

80. The Red Shoes (Michael Powell & Emeric Pressburger, 1948, UK) - 104

78. Close-Up (Abbas Kiarostami, 1990, Iran) - 105

78. Nashville (Robert Altman, 1975, USA) - 105

77. Harakiri (Masaki Kobayashi, 1962, Japan) - 106

76. Ikiru (Akira Kurosawa, 1952, Japan) - 107

74. The 400 Blows (Francois Truffaut, 1959, France) - 109

74. Twin Peaks: Fire Walk with Me (David Lynch, 1992, USA) - 109

73. The Texas Chainsaw Massacre (Tobe Hooper, 1974, USA) - 110

71. Fargo (Joel Coen & Ethan Coen, 1996, USA) - 111

71. The Rules of the Game (Jean Renoir, 1939) - 111

70. Bicycle Thieves (Vittorio De Sica, 1948, Italy) - 112

69. Last Year at Marienbad (Alain Resnais, 1961, France-Italy) - 115

67. Late Spring (Yasujiro Ozu, 1949, Japan) - 116

67. Raging Bull (Martin Scorsese, 1980, USA) - 116

66. The Big Lebowski (Joel Coen & Ethan Coen, 1998, USA-UK) - 117

65. The Seventh Seal (Ingmar Bergman, 1957, Sweden) - 119

63. La Dolce vita (Federico Fellini, 1960, Italy) - 121

63. M (Fritz Lang, 1931, Germany) - 121

61. Heat (Michael Mann, 1995, USA) - 122

61. High and Low (Akira Kurosawa, 1963, Japan) - 122

60. Mad Max: Fury Road (George Miller, 2015, Australia-USA) - 123

59. Blue Velvet (David Lynch, 1986, USA) - 126

58. The Thing (John Carpenter, 1982, USA) - 130

57. Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (Chantal Akerman, 1975, Belgium-France) - 132

55. Eyes Wide Shut (Stanley Kubrick, 1999, USA-UK) - 133

55. Fanny and Alexander (Ingmar Bergman, 1982, Sweden) - 133

54. No Country for Old Men (Joel Coen & Ethan Coen, 2007, USA) - 134

53. It's a Wonderful Life (Frank Capra, 1946, USA) - 136

51. Alien (Ridley Scott, 1979, USA) - 137

51. A Clockwork Orange (Stanley Kubrick, 1971, UK) - 137

[MysteryMan]

Ух ты; Сьямма в сотке!

[empathy]

93. Beau travail (Claire Denis, 1999, France) - 94

 

зато на премии фкп был на десятом месте.

[Зеленоглазка]

Четыре Куросавы сразу.

[ORANGE'71]

51. A Clockwork Orange (Stanley Kubrick, 1971, UK) - 137

 

Это получается, три моих любимых фильма попали в топ-51!

 

 

Из 2010-ых остались только Древо и Паразиты, или забыл кого?

 

Кстати, Джокера так и не было? Если так, то в топ-50 уже вряд ли попадет.

 

4й эпизод в топ-50, так понимаю.

 

 

В топ-10 вангую как-то так:

 

 

THE GODFATHER

CITIZEN KANE

2001: A SPACE ODYSSEY

PULP FICTION

MULHOLLAND DR.

PARASITE

VERTIGO

8 1/2

SEVEN SAMURAI

PSYCHO

 

[Evil.man]

 

4й эпизод в топ-50, так понимаю.

 

 

87 votes

 

102. Star Wars (George Lucas, 1977, USA)

[ORANGE'71]

87 votes

 

102. Star Wars (George Lucas, 1977, USA)

5й выше, получается..

 

"Хищника", кстати, в тысячу не завезли. Ну да, топ-25 составить и отправить это же не то же самое, что в опросе тыкнуть в один пункт..

[GlitchMob]

Кстати, Джокера так и не было? Если так, то в топ-50 уже вряд ли попадет.

его и близко к 1000 месту не подпустят )))

[kennyfisher]

Всегда поражало это наяривание на бензопилу

[empathy]

Кстати, Джокера так и не было? Если так, то в топ-50 уже вряд ли попадет.

 

думаю, будет.

 

В топ-10 вангую как-то так:

 

 

THE GODFATHER

CITIZEN KANE

2001: A SPACE ODYSSEY

PULP FICTION

MULHOLLAND DR.

PARASITE

VERTIGO

8 1/2

SEVEN SAMURAI

PSYCHO

 

а как же

 

in the mood for love

yi yi

spirited away

 

 

[MysteryMan]

"Хищника", кстати, в тысячу не завезли. Ну да, топ-25 составить и отправить это же не то же самое, что в опросе тыкнуть в один пункт..

 

Брэнд просто поздно узнал об опросе

[GlitchMob]

ой, ну если Джокер попадёт в топ-50, то это величайший рофл )) сам не против этого ни разу, но поржу однозначно

[ORANGE'71]

думаю, будет.

 

 

 

а как же

 

in the mood for love

yi yi

spirited away

 

Да ну, не верю по обоим пунктам.

[Зеленоглазка]

По поводу "Крестного отца". У них есть примечание:

 

Please note that if a film trilogy or multiple films were chosen in one position on a ballot, the one vote for that film selection was split. For example, if a voter selected The Godfather Parts I & II in one position on their ballot, then each Godfather film received 0.5 votes.

 

Т.е. некорректное заполнение некоторых бюллетеней может снизить общие баллы каждой из частей. Я все-таки думаю, что КО-1 будет на первом месте, но кто знает, могут быть и сюрпризы.

[MaximumCoool]

Кстати, Джокера так и не было? Если так, то в топ-50 уже вряд ли попадет.

Это топ американских критегов? Если да, то его там не будет, они его сильно хейтят, даже в топ 1000 не было бы.

[Rertern]

TSPDT - попсовый рейтинг.

[MysteryMan]

Это топ американских критегов? Если да, то его там не будет, они его сильно хейтят, даже в топ 1000 не было бы.

 

Это топ юзеров ТСПДТ

[тот кот]

Пересечения между пуллом и топ-250 ТСПДТ

 

250. You Can Count on Me (Kenneth Lonergan, 2000)

249. Beasts of the Southern Wild (Benh Zeitlin, 2012)

248. Hugo (Martin Scorsese, 2011)

247. Upstream Color (Shane Carruth, 2013)

246. Regular Lovers (Philippe Garrell, 2005)

245. The Rider (Chloe Zhao, 2017)

244. To Be and to Have (Nicolas Philibert, 2002)

243. The Queen (Stephen Frears, 2006)

242. Three Times (Hou Hsiao-hsien, 2005)

241. The Circle (Jafar Panahi, 2000)

240. What Time is it There? (Tsai Ming-liang, 2001)

239. The Strange Case of Angelica (Manoel de Oliveira, 2010)

238. Carlos (Olivier Assayas, 2010)

237. Only Lovers Left Alive (Jim Jarmusch, 2013)

236. Two Lovers (James Gray, 2008)

235. Happy as Lazzaro (Alice Rohrwacher, 2018)

234. United 93 (Paul Greengrass, 2006)

233. Exit Through the Gift Shop (Banksy, 2010)

232. Cameraperson (Kirsten Johnson, 2016)

231. The Squid and the Whale (Noah Baumbach, 2005)

230. Le Quattro Volte (Michelangelo Frammartino, 2010)

229. Hard to Be a God (Aleksey German, 2013)

228. Together (Lukas Moodyson, 2000)

227. Dunkirk (Christopher Nolan, 2017)

226. Never Rarely Sometimes Always (Eliza Hittman, 2020)

225. Dogtooth (Yorgos Lanthimos, 2009)

224. Los Angeles Plays Itself (Thom Andersen, 2003)

223. Timbuktu (Abderrahmane Sissako, 2014)

222. A Christmas Tale (Arnaud Despleshin, 2008)

221. Spring, Summer, Autumn, Winter... and Spring (Kim Ki Duk, 2003)

220. Arrival (Denis Villeneuve, 2016)

219. The Kids Are All Right (Lisa Cholodenko, 2010)

218. American Splendor (Robert Pulcini & Shari Springer Berman, 2003)

217. Drive (Nicolas Winding Refn, 2011)

216. Faces Places (Agnes Varda & JR, 2017)

215. Kill Bill Vol. 2 (Quentin Tarantino, 2004)

214. Secret Sunshine (Lee Chang-dong, 2007)

213. The Arbor (Clio Barnard, 2010)

212. Cemetery of Splendour (Apichatpong Weerasethakul, 2015)

211. Elle (Paul Verhoeven, 2016)

210. Leviathan (Andrey Zvyagintsev, 2014)

209. We Need to Talk About Kevin (Lynne Ramsay, 2011)

208. The Fog of War (Errol Morris, 2003)

207. The Souvenir (Joanna Hogg, 2019)

206. The Handmaiden (Park Chan-wook, 2016)

205. It Follows (David Robert Mitchell, 2014)

204. First Reformed (Paul Schrader, 2017)

203. 25th Hour (Spike Lee, 2002)

202. Before Midnight (Richard Linklater, 2013)

201. Persepolis (Vincent Paronnaud & Marjane Satrapi, 2007)

200. Frances Ha (Noah Baumbach, 2012)

199. I'm Not There (Todd Haynes, 2007)

198. Morvern Callar (Lynne Ramsay, 2002)

197. Le Havre (Aki Kaurismaki, 2011)

196. Certain Women (Kelly Reichardt, 2016)

195. As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty (Jonas Mekas, 2000)

194. Inherent Vice (Paul Thomas Anderson, 2014)

193. Head-On (Fatih Akin, 2004)

192. The Lord of the Rings: The Two Towers (Peter Jackson, 2002)

191. Millennium Mambo (Hou Hsiao-hsien, 2001)

190. Film socialisme (Jean-Luc Godard, 2010)

189. The Return (Andrey Zvyagintsev, 2003)

188. Weekend (Andrew Haigh, 2011)

187. Fat Girl (Catherine Breillat, 2001)

186. Letters from Iwo Jima (Clint Eastwood, 2006)

185. The Babadook (Jennifer Kent, 2014)

184. Waking Life (Richard Linklater, 2001)

183. Nomadland (Chloe Zhao, 2020)

182. A Serious Man (Joel Coen & Ethan Coen, 2009)

181. Volver (Pedro Almodovar, 2006)

180. No Home Movie (Chantal Akerman, 2015)

179. Meek's Cutoff (Kelly Reichardt, 2010)

178. Man on Wire (James Marsch, 2008)

177. Gladiator (Ridley Scott, 2000)

176. Ghost World (Terry Zwigoff, 2001)

175. Kung Fu Hustle (Stephen Chow, 2004)

174. Lovers Rock (Steve McQueen, 2020)

173. White Material (Claire Denis, 2009)

172. In the City of Silvia (Jose Luis Guerin, 2007)

171. La Commune (Paris, 1871) (Peter Watkins, 2000)

170. Hero (Zhang Yimou, 2002)

169. The Man Without a Past (Aki Kaurismaki, 2002)

168. Black Swan (Darren Aronofsky, 2010)

167. The Pianist (Roman Polanski, 2002)

166. Twin Peaks: The Return (David Lynch, 2017)

165. In Praise of Love (Jean-Luc Godard, 2001)

164. Saraband (Ingmar Bergman, 2003)

163. Cafe Lumiere (Hou Hsiao-hsien, 2003)

162. The Holy Girl (Lucrecia Martel, 2004)

161. Fantastic Mr. Fox (Wes Anderson, 2009)

160. Assassination of Jesse James by the Coward Robert Ford (Andrew Dominik, 2007)

159. Diving Bell and the Butterfly (Julian Schnabel, 2007)

158. L'Enfant (Jean-Pierre Dardenne & Luc Dardenne, 2005)

157. Wendy and Lucy (Kelly Reichardt, 2008)

156. Son of Saul (Laszlo Nemes, 2015)

155. Capturing the Friedmans (Andrew Jarecki, 2003)

154. Ten (Abbas Kiarostami, 2002)

153. Fish Tank (Andrea Arnold, 2009)

152. Horse Money (Pedro Costa, 2014)

151. The Great Beauty (Paolo Sorrentino, 2013)

150. Moolaade (Ousmane Sembene, 2004)

149. Call Me by Your Name (Luca Guadagnino, 2017)

148. Moonrise Kingdom (Wes Anderson, 2012)

147. Manchester by the Sea (Kenneth Lonergan, 2016)

146. The Intruder (Claire Denis, 2004)

145. Inside Out (Pete Doctor & Ronaldo Del Carmen, 2015)

144. Lady Bird (Greta Gerwig, 2017)

143. The Departed (Martin Scorsese, 2006)

142. Atanarjuat: The Fast Runner (Zacharias Kunuk, 2002)

141. Adaptation. (Spike Jonze, 2002)

140. La La Land (Damien Chazelle, 2016)

139. Kill Bill Vol. 1 (Quentin Tarantino, 2003)

138. 35 Shots of Rum (Claire Denis, 2008)

137. Code Unknown (Michael Haneke, 2000)

136. Waltz with Bashir (Ari Folman, 2008)

135. My Winnipeg (Guy Maddin, 2007)

134. This is Not a Film (Jafar Panahi & Mojtaba Mirtahmasb, 2011)

133. Finding Nemo (Andrew Stanton & Lee Unkrich, 2003)

132. Poetry (Lee Chang-dong, 2010)

131. Portrait of a Lady on Fire (Celine Sciamma, 2019)

130. Zero Dark Thirty (Kathryn Bigelow, 2012)

129. 12 Years a Slave (Steve McQueen, 2012)

128. Ida (Pawel Pawlikowski, 2013)

127. Donnie Darko (Richard Kelly, 2001)

126. First Cow (Kelly Reichardt, 2019)

125. Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (Larry Charles, 2006)

124. Shaun of the Dead (Edgar Wright, 2006)

123. Mystic River (Clint Eastwood, 2003)

122. Winter's Bone (Debra Granik, 2010)

121. Amores perros (Alejandro Gonzalez Inarritu, 2000)

120. The World (Jia Zhangke, 2004)

119. Up (Pete Docter, 2009)

118. The Irishman (Martin Scorsese, 2019)

117. Avatar (James Cameron, 2009)

116. Stories We Tell (Sarah Polley, 2012)

115. Gravity (Alfonso Cuaron, 2013)

114. Memories of Murder (Bong Joon-hoo, 2003)

113. Inception (Christopher Nolan, 2010)

112. The Wolf of Wall Street (Martin Scorsese, 2013)

111. The Incredibles (Brad Bird, 2004)

110. Irreversible (Gaspar Noe, 2002)

109. The Lord of the Rings: The Return of the King (Peter Jackson, 2003)

108. The Host (Bong Joon-ho, 2006)

107. Margaret (Kenneth Lonergan, 2011)

106. 2046 (Wong Kar-wai, 2004)

105. Blissfully Yours (Apichatpong Weerasethakul, 2002)

104. Her (Spike Jonze, 2013)

103. The Lord of the Rings: The Fellowship of the Ring (Peter Jackson, 2001)

102. Mysteries of Lisbon (Raul Ruiz, 2010)

101. Moulin Rouge! (Baz Luhrmann, 2001)

100. Hunger (Steve McQueen, 2007)

99. Toy Story 3 (Lee Unkrich, 2010)

98. Burning (Lee Chang-dong, 2018)

97. Requiem for a Dream (Darren Aronofsky, 2000)

96. The Grand Budapest Hotel (Wes Anderson, 2014)

95. Inglourious Basterds (Quentin Tarantino, 2009)

94. La Cienaga (Lucrecia Martel, 2001)

93. Stranger by the Lake (Alain Guiraudie, 2013)

92. Once Upon a Time... in Hollywood (Quentin Tarantino, 2019)

91. The New World (Terrence Malick, 2005)

90. In Vanda's Room (Pedro Costa, 2000)

89. The Piano Teacher (Michael Haneke, 2001)

88. Leviathan (Lucien Castaing-Taylor & Verena Paravel, 2012)

87. The Assassin (Hou Hsiao-hsien, 2015)

86. Far from Heaven (Todd Haynes, 2002)

85. Goodbye, Dragon Inn (Tsai Ming-liang, 2003)

84. Distant (Nuri Bilge Ceylan, 2002)

83. Certified Copy (Abbas Kiarostami, 2010)

82. Dancer in the Dark (Lars von Trier, 2000)

81. Blue is the Warmest Colour (Abdellatif Kechiche, 2013)

80. The Dark Knight (Christopher Nolan, 2008)

79. Synecdoche, New York (Charlie Kaufman, 2008)

78. Million Dollar Baby (Clint Eastwood, 2004)

77. The Headless Woman (Lucrecia Martel, 2008)

76. Nostalgia for the Light (Patricio Guzman, 2010)

75. Goodbye to Language (Jean-Luc Godard, 2014)

74. A Prophet (Jacques Audiard, 2009)

73. Songs from the Second Floor (Roy Andersson, 2000)

72. The Son (Jean-Pierre Dardenne & Luc Dardenne, 2002)

70. Roma (Alfonso Cuaron, 2018)

69. Amelie (Jean-Pierre Jeunet, 2001)

68. Let the Right One In (Tomas Alfredson, 2008)

67. Momento (Christopher Nolan, 2000)

66. Sideways (Alexander Payne, 2004)

65. Tabu (Miguel Gomes, 2012)

64. Zama (Lucrecia Martel, 2017)

63. Colossal Youth (Pedro Costa, 2006)

62. Syndromes and a Century (Apichatpong Weerasethakul, 2006)

61. Carol (Todd Haynes, 2015)

60. Children of Men (Alfonso Cuaron, 2006)

59. Still Life (Jia Zhangke, 2006)

58. Oldboy (Park Chan-wook, 2003)

57. Silent Light (Carlos Reygadas, 2007)

56. The Royal Tonenbaums (Wes Anderson, 2001)

55. Inland Empire (David Lynch, 2006)

54. Y tu mama tambien (Alfonso Cuaron, 2001)

53. The Lives of Others (Florian Henckel von Donnersmarck, 2006)

52. Before Sunset (Richard Linklater, 2004)

51. A.I. Artificial Intelligence (Steven Spielberg, 2001)

50. Once Upon a Time in Anatolia (Nuri Bilge Ceylan, 2011)

49. Inside Llewyn Davis (Joel Coen & Ethan Coen, 2013)

48. Zodiac (David Fincher, 2007)

47. The Hurt Locker (Kathryn Bigelow, 2008)

46. Parasite (Bong Joon-ho, 2019)

45. Phantom Thread (Paul Thomas Anderson, 2017)

44. 4 Months, 3 Weeks and 2 Days (Cristian Mungiu, 2007)

43. Pan's Labyrinth (Guillermo del Toro, 2006)

42. Grizzly Man (Werner Herzog, 2005)

41. A History of Violence (David Cronenberg, 2005)

40. Punch-Drunk Love (Paul Thomas Anderson, 2002)

39. Elephant (Gus Van Sant, 2003)

38. The Act of Killing (Joshua Oppenheimer, 2012)

37. Russian Ark (Aleksandr Sokurov, 2003)

36. Platform (Jia Zhangke, 2000)

35. Death of Mr. Lazarescu (Cristi Puiu, 2005)

34. Werckmeister Harmonies (Bela Tarr, 2000)

33. The Gleaners & I (Agnes Varda, 2000)

32. Tie Xi Qu: West of the Tracks (Wang Bing, 2003)

31. No Country for Old Men (Joel Coen & Ethan Coen, 2007)

30. The Master (Paul Thomas Anderson, 2012)

29. The White Ribbon (Michael Haneke, 2009)

28. Amour (Michael Haneke, 2012)

27. Dogville (Lars von Trier, 2003)

26. Crouching Tiger, Hidden Dragon (Ang Lee, 2000)

25. Talk to Her (Pedro Almodovar, 2002)

24. The Social Network (David Fincher, 2010)

23. Under the Skin (Jonathan Glazer, 2013)

22. Moonlight (Barry Jenkins, 2016)

21. WALL-E (Andrew Stanton, 2008)

20. Brokeback Mountain (Ang Lee, 2005)

19. The Turin Horse (Bela Tarr, 2011)

18. Melancholia (Lars von Trier, 2011)

17. Boyhood (Richard Linklater, 2014)

16. City of God (Fernando Meirelles & Katia Lund, 2002)

15. A Separation (Asghar Farhadi, 2011)

14. Lost in Translation (Sofia Coppola, 2003)

13. Toni Erdmann (Maren Ade, 2016)

12. Mad Max: Fury Road (George Miller, 2015)

11. Holy Motors (Leos Carax, 2012)

10. Uncle Boonmee Who Can Recall His Past Lives (Apichatpong Weerasethakul, 2010)

9. Tropical Malady (Apichatpong Weerasethakul, 2004)

8. Cache (Michael Haneke, 2005)

----

7. Eternal Sunshine of the Spotless Mind (Michel Gondry, 2004)

6. Spirited Away (Hayao Miyazaki, 2001)

5. There Will Be Blood (Paul Thomas Anderson, 2008)

4. Tree of Life (Terrence Malick, 2011)

3. Yi yi (Edward Yang, 2000)

2. Mulholland Dr. (David Lynch, 2001)

1. In the Mood for Love (Wong Kar-wai, 2000)

 

Изменено 27.07.2021 18:10 пользователем тот кот

[empathy]

in review: FIDMarseilles 2021

 

Outside Noise (Ted Fendt)

 

 

trailer

 

Ted Fendt’s body of work is at least in part characterized by its very purposeful progression. His films are all dryly comedic character studies of some sort or another; his earliest works were short comedic sketches akin to those of Eric Rohmer and Luc Moullet, though transposed onto contemporary Haddonfield, New Jersey, the director’s suburban hometown. These sketch-like films gave way to the Philadelphia-set features Short Stay and Classical Period, which embraced a similar sense of humor and 16mm aesthetic, while obscuring the set up/punchline structures of his earlier work between these two.

Fendt centers on three young women, Mia, Daniela, and Natasha, who exemplify a comfort with normal social situations elusive to the director’s previous protagonists, yet who still find themselves burdened by a general sense of restlessness and dissatisfaction. Outside Noise takes great pains to avoid complicating the lives of its protagonists, instead refusing them much forward momentum at all, their cross-continental trek from New York to Berlin to Vienna hardly registering as more than an abrupt change in scenery (and even then…).

Outside Noise becomes a bit of a balancing act, pushing the script as far away from archetypal film narrative as possible without losing pace or structure. In managing this, Fendt accomplishes an equilibrium without signifying much exertion, producing a work that reveals itself in unforced fashion, moving toward an emotional spectrum out of the reach of most filmmakers.

 

Topology of Sirens (Jonathan Davies)

 

 

 

The way in which people interact with the archaic or outmoded is an ever-evolving proposition. Especially given the unbelievable pace of the 20th and 21st centuries, where innumerable technologies have been developed, widely used, and then abandoned for the next shiny thing, devices that once were widely taken for granted just a decade or so ago take on a different aura entirely, one almost akin to uncovering a buried, obscure treasure.

Jonathan Davies’s Topology of Sirens, one of the most assured and evocative feature debuts of the past few years, which premieres as part of the FIDMarseille International Competition, takes this paradox as one of its primary animating forces. It follows Cas (documentary filmmaker Courtney Stephens), a sound engineer who moves into her deceased aunt’s home in what appears to be an unnamed neighborhood of Los Angeles. As she reconnects with her friends within the local experimental music scene, she discovers within a locked closet of the house a rare hurdy-gurdy. Inside the outdated instrument are seven answering machine mini-cassette tapes, each labeled with a mysterious symbol and containing different varieties of soundscapes and audio effects. This cryptic find begins a loose series of wanderings across the greater LA area, as linkages and coincidences pile up without necessarily coalescing into a unifying purpose or meaning.

Much of what compels about Topology of Sirens stems from this approach to narrative and how it maps onto Davies’s contemplative style. The film feels very much of a piece with Tyler Taormina’s Ham on Rye from 2019: Taormina and Davies are part of a drone music duo, produced each other’s films, and both films are gorgeously lensed by Carson Lund (disclosure: all three are friends of this writer), but while that film adhered to a clear if powerful structural trajectory, no such net exists for Topology. Instead, the film feels refreshingly charged in its conviction that any situation, any encounter, can unlock another link in the chain toward comprehension, and that the strength of the revelation can be felt much more than it can be explicated.

In an interview for FIDMarseille, Davies attributes the governing aesthetic and narrative principles to ‘90s PC point-and-click adventure games, but Topology of Sirens unfolds in ways that hew much closer and deeper to typically cinematic means. Shot mostly in master shots, which frequently move with gliding precision across rooms, the film’s quiet nature — there is relatively little dialogue in the film, charmingly credited as “featuring dialogue from the cast” — allows for both a bounty of interstitial moments of natural and suburban landmarks and a series of truly startling and magical ruptures.

 

Beatrix (Lilith Kraxner and Milena Czernovsky)

 

 

A directorial debut so strong that it was selected for both FIDMarseille’s First Film section and main International Competition, Austrian entry Beatrix is a major discovery, the work of two directors and an actor at the outset of their careers already with a defined perspective and a deft understanding of cinematic language. Though all involved have worked in the film industry and with each other in various capacities, Beatrix marks the first instance of Lilith Kraxner and Milena Czernovsky co-directing a film together, with their star, performance artist Eva Sommer (who was awarded Best Actress in the First Film category), also newly acquainted with the feature-length medium. A new configuration for this team and likely their most involved undertaking to date, but one wouldn’t so easily discern this watching Beatrix, an intimate, plain-spoken film, obviously the creation of artists thinking on a higher level.

Kraxner, Czernovsky, and Sommer wrestle with the idea of how to depict the undepicted, particularly how to capture those moments where we are totally unobserved and vulnerable without indulging cinema’s tendency toward voyeurism. Sommer’s performance is essential to the project in this regard, entirely improvised though resembling something much more workshopped, a la the films of Maren Ade. She is able to negotiate the camera’s gaze and the need to achieve a sense of naturalism, essentially performing a non-performance. Kraxner & Czernovsky build on their actor’s work savvily, confronting the audience with her vulnerability, often presenting Sommer nude in the casual fashion one adopts when home alone, creating brilliant tension between camera, subject, and audience. Beatrix instantly establishes Kraxner, Czernovsky, and Sommer as major artists, pursuing lofty, risky ideas with verve and ingenuity — so exciting to see in a debut feature!

 

и победители международного конкурса, где жюри возглавлял лав диас.

 

GRAND PRIX OF THE INTERNATIONAL COMPETITION

 

HARUHARA SAN’S RECORDER by Kyoshi Sugita

(Japan, 2021)

 

SPECIAL MENTION:

 

OUTSIDE NOISE by Ted Fendt

(Germany, South Korea, Austria, 2020)

 

GEORGES DE BEAUREGARD INTERNATIONAL PRIZE

SATURN AND BEYOND by Declan Clarke

(Ireland, 2021)

 

SPECIAL MENTION:

 

HUSEK by Daniela Seggiaro

(Argentina, 2021)

 

ACTING AWARD

we have chosen not to award separate prizes based on gender.

 

Attila Meste de Segonzac

for

JOJO by Antoni Collot

 

Chika Araki

for

HARUHARA SAN’S RECORDER by Kyoshi Sugita

Изменено 30.07.2021 01:33 пользователем empathy

[Walter666]

TIFF

UPD:

CONTEMPORARY WORLD CINEMA

 

Are You Lonesome Tonight? Wen Shipei | China

North American Premiere

 

The Box (La Caja) Lorenzo Vigas | USA/Mexico

North American Premiere

 

Costa Brava, Lebanon (Costa Brava) Mounia Akl | Lebanon/Norway/Sweden/France/Spain/Denmark/Qatar

North American Premiere

 

The Daughter (La Hija) Manuel Martin Cuenca | Spain

World Premiere

 

The Hill Where the Lionesses Roar (Luaneshat e kodres) Luana Bajrami | Kosovo/France

North American Premiere

 

Intregalde Radu Muntean | Romania

North American Premiere

 

Kicking Blood Blaine Thurier | Canada

World Premiere

 

La Soga 2 Manny Perez | USA

World Premiere

 

Maria Chapdelaine Sebastien Pilote | Canada

World Premiere

 

Medusa Anita Rocha da Silveira | Brazil

North American Premiere

 

Murina Antoneta Alamat Kusijanovic | Croatia/Brazil/USA/Slovenia

North American Premiere

 

Nobody Has to Know Bouli Lanners | France/Belgium/United Kingdom

World Premiere

 

The Odd-Job Men (Sis dies corrents) Neus Ballus | Spain

North American Premiere

 

The Other Tom (El otro Tom) Rodrigo Pla, Laura Santullo | Mexico/USA

North American Premiere

 

OUT OF SYNC (Tres) Juanjo Gimenez | Spain

North American Premiere

 

Terrorizers Ho Wi Ding | Taiwan

World Premiere

 

Unclenching The Fists Kira Kovalenko | Russia

North American Premiere

 

Vengeance is Mine, All Others Pay Cash (Seperti Dendam, Rindu Harus Dibayar Tuntas) Edwin |

Indonesia/Singapore/Germany

North American Premiere

 

The Wheel Steve Pink | USA

World Premiere

 

Whether the Weather is Fine (Kun Maupay Man It Panahon) Carlo Francisco Manatad |

Philippines/France/Singapore/Indonesia/Germany/Qatar

North American Premiere

 

DISCOVERY

 

Aloners Hong Sung-eun | South Korea

International Premiere

 

Anatolian Leopard (Anadolu Leopari) Emre Kayis | Germany/Denmark/Turkey/Poland

World Premiere

 

As In Heaven (Du som er i himlen) Tea Lindeburg | Denmark

World Premiere

 

A Banquet Ruth Paxton | United Kingdom

World Premiere

 

Dug Dug Ritwik Pareek | India

World Premiere

 

Farha Darin J. Sallam | Jordan/Sweden/Saudi Arabia

World Premiere

 

The Game Ana Lazarevic | Serbia/USA

World Premiere

 

Learn To Swim Thyrone Tommy | Canada

World Premiere

 

Lo Invisible Javier Andrade | France/Ecuador

World Premiere

 

Paka (River of Blood) Nithin Lukose | India

World Premiere

 

Quickening Haya Waseem | Canada

World Premiere

 

Scarborough Shasha Nakhai, Rich Williamson | Canada

World Premiere

 

Snakehead Evan Jackson Leong | USA

International Premiere

 

To Kill The Beast Agustina San Martin | Argentina/Brazil/Chile

World Premiere

 

Tug of War (Vuta N’Kuvute) Amil Shivji | Tanzania/South/Africa/Germany/Qatar

World Premiere

 

Wildhood Bretten Hannam | Canada

World Premiere

 

GALA PRESENTATIONS

 

The Good House Maya Forbes, Wallace Wolodarsky | USA

World Premiere

 

Silent Night Camille Griffin | United Kingdom

World Premiere

 

The Worst Person In The World (Verdens Verste Menneske) Joachim Trier | Norway/France/Sweden/Denmark

North American Premiere

(*Previously announced as a Special Presentation)

 

SPECIAL PRESENTATIONS

 

The Falls (Pu Bu) Chung Mong-Hong | Taiwan

North American Premiere

The Humans Stephen Karam | USA

World Premiere

 

Inu-Oh Masaaki Yuasa | Japan/China

North American Premiere

 

Lingui, The Sacred Bonds (Lingui) Mahamat-Saleh Haroun | Chad/France/Germany/Belgium

North American Premiere

 

Mothering Sunday Eva Husson | United Kingdom

North American Premiere

 

The Power of the Dog Jane Campion | Australia/New Zealand

Canadian Premiere

 

Sundown Michel Franco | Mexico

North American Premiere

 

Wolf Nathalie Biancheri | United Kingdom/Ireland/Poland

World Premiere

[ORANGE'71]

Сезон 22го года прям пушка вылядит по именам!

 

Скорсезе, Инья, Шазелл, О'Расселл, Эстлунд, Аронофски, Эггерс, Пак Чхан-ук, Кэмерон, Джордж Миллер,...

[empathy]

какие-то мужики. где настоящие режиссерки?

[ORANGE'71]

FIPRESCI Grand Prix 2021 finalists:

 

NOMADLAND (Nomadland), Chloe Zhao

WHAT WE SEE WHEN WE LOOK AT THE SKY? (Ras vxedavt rodesac cas vukurebt?, Aleksandre Koberidze

ANOTHER ROUND (Druk) Thomas Vinterberg

QUO VADIS, AIDA?, Jasmila Zbanic

BAD LUCK BANGING OR LOONY PORN (Babardeala cu bucluc sau porno balamuc), Radu Jude

 

Хоть бы не Номадланд выиграл..