Хищные птицы (Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn)

[LUCIFER]

Либатик не схалтурил. Картинка радует глаз

[Танцор34]

Когда вайт дудес устроили бойкот и начали метать какахи в эмансипированных куриц:

Люблю твои отзывы Дарк, даже если с ними не согласен.

[Haggard]

Сабж выглядит также глупо, как если бы в 2020 сделали фильм про команду тестостероновых альфачей, где бабы были бы все как одна тупыми, беспомощными моделями, у которых от одного взгляда самцов падают трусы. Но такого снимать уже нельзя. Зато сабж можно.

 

Максимально несмешное, позерское, косолапое кино с катастрофически бездарной женской игрой. Натянул пару баллов только за Макгрегора.

[DandyAndy]

Элла Джей Баско

Here’s some Birds of Prey BTS I’ve been holding onto!

 

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[DandyAndy]

Кевин Смит

 

Just watched Birds of Prey on Apple TV. I saw it in theaters and LOVED all the Huntress scenes, but *this* part - Black Mask’s dripping delivery of “You’re a fucking moron!” - kills me! The whole film’s filled with impressive one-ers too. s’Fun fucking flick! Thanks, Cathy Yan!

[Negodyaj]

 

какая прелесть

[DandyAndy]

Фичуретка

[MaximumCoool]

Наткнулся на пару фрагментов в ютабе, какой кошмар, особенно сцена с бутербродом, что это вообще было, для кого снято?! Я и не думал, что такой кринж вообще возможен. Роббе очень красивая девушка, но у нее походу конкретные тараканы в голове. В трейлерах все адекватнее выглядело, самый адок скрывали до выхода. Провалу ни капли не удивлен, как и тому что твиттору зашло, у сабжа даже неадекватная группа фанатья там нарисовалось. Фак американ критикс.

[gearswik]

Провалу ни капли не удивлен

да и провала то нет

[DandyAndy]

[Take Two]

Наткнулся на пару фрагментов в ютабе, какой кошмар, особенно сцена с бутербродом, что это вообще было, для кого снято?! Я и не думал, что такой кринж вообще возможен.

Так это лучшая сцена фильма ж

[MaximumCoool]

да и провала то нет

200 млн общемировых для сабжа провал, зрительские отзывы тоже не ахти.

Так это лучшая сцена фильма ж

Если это лучшая сцена...

[gearswik]

200 млн общемировых для сабжа провал

при 87 бюджета то, который они и отбили

[al-ib]

при 87 бюджета то, который они и отбили

 

технически возможно да. но мы не знаем рекламный бюдж.

[EMoushen]

Наткнулся на пару фрагментов в ютабе, какой кошмар, особенно сцена с бутербродом, что это вообще было, для кого снято?!

Это называется кэмп и овер зе топ, почитай в интернетах.

Понимаю, что для кого-то безумие можно показывать только танцами в туалете под тревожную музыку и залезанием в холодильник, но у разных фильмов разные задачи

Изменено 25.03.2020 09:02 пользователем EMoushen

[Negodyaj]

Наткнулся на пару фрагментов в ютабе, какой кошмар, особенно сцена с бутербродом, что это вообще было, для кого снято?! Я и не думал, что такой кринж вообще возможен. Роббе очень красивая девушка, но у нее походу конкретные тараканы в голове. В трейлерах все адекватнее выглядело, самый адок скрывали до выхода. Провалу ни капли не удивлен, как и тому что твиттору зашло, у сабжа даже неадекватная группа фанатья там нарисовалось. Фак американ критикс.

 

Да ну хорош. Хорошая сцена) такой настрой у фильма. И сама героиня Марго не очень адекватная) в этом весь сок!

И да, фильм не провалился. Могло бы и лучше конечно, но...

[Ghenika]

Еле вспомнила эту сцену с бутербродом. Ну да, туповатая и закончилась ожидаемо, но при просмотре фейспалм не ловила. Сцена соответствовала общей атмосфере фильма, так что норм. Отдельно, скорее всего, и в самом деле будет смотреться ужасно.

[DandyAndy]

Кэти Янь в интервью The New York Times

How did you make the leap from “Dead Pigs” to “Birds of Prey”?

 

“Dead Pigs” was such a different experience. We ended up cutting the movie entirely in my living room in New York — you can imagine how furious my husband was. But it had a sort of kinship to “Birds” — the ensemble nature of it, the dark comedy. Soon after Sundance, I met with Christina Hodson, the screenwriter. She had already written “Bumblebee,” the Transformers movie, and she’s about my age and we have a similar background — she’s half-Taiwanese and grew up in London — and it was nice to see someone who was doing anything at that scale. Then I met with Margot Robbie and we also got along very well Soon after that, I went in to pitch my vision of the movie to Warner Brothers. I got the film that April, three months after Sundance.

 

Did you have to be persuaded in any way that “Birds of Prey” was the right next project for you?

 

Frankly, I did not. Really, my goal was just to make another small movie one day, and then hopefully build a long career. It was definitely a little bit of a left turn. But what I really loved about “Birds” was always the script and the attitude. It was a lot more grounded than some other movies of its ilk. I wanted to do something more visceral, and not rely too much on VFX and technology right now. It felt like something I could arguably achieve.

 

Often when we ask why there aren’t more female directors making tentpole movies, we’re told that these aren’t the kinds of movies they want to make. Do you hear that too?

 

Oh yeah. I remember, years ago, a female executive saying that — that they were trying really hard to find female directors for this bigger action movie and a lot of them didn’t want to do that. I felt that was a bit of a blanket statement, to say the least. I think a lot of us would raise our hands if we were ever given the opportunity. But what’s helping is the actual subject matter becoming different. It helped my case that this was a movie specifically about the female experience.

 

What did your pitch for “Birds of Prey” look like?

 

I put together a pitch deck that had visual references for what I thought the world should feel like and look like — a lot of New York in the '70s and ’80s. That kind of anarchy, of a place that just didn’t work but at the same time was such a hotbed for creativity. A broken system that wasn’t entirely despondent. And then I put together a sizzle reel that had everything from Kim Kardashian’s vampire facial to “Bachelor” proposals, and it was all remixed to “Diamonds Are a Girl’s Best Friend.”

 

What did you want to do with the Harley Quinn character that we hadn’t seen her do in “Suicide Squad”?

 

It was an opportunity to keep exploring the layers of Harley Quinn, because in “Suicide Squad,” she really is the girlfriend and it’s about her relationship with the Joker. She became a fan favorite, and Margot brought such depth to the character. But she was one member of an ensemble. And here, the movie is Harley — it’s implanted in Harley’s brain and seen through Harley-vision, basically. She could do anything, she could say anything. She gets to be her own hero and savior. The whole movie’s about these women emancipating themselves — it doesn’t have to just be from a relationship. It could be from their own self-doubt. It could be from a system that they don’t feel really sees them. All of the Birds go through that in some way.

 

There’s a wonderful little moment in one of the fight sequences where, in the middle of an all-out brawl, Harley hands off a hair tie to Black Canary. Where did that come from?

 

Christina Hodson had gotten the idea. She and her sister were talking about, why is it that all women in every action movie can have perfectly blown-out hair, and it’s always down? I was like, you’re so right. I put my hair up just to wash my face, to brush my teeth, to do very light amounts of yoga. So we wanted to give a big middle finger to some of those expectations.

 

What was the experience of the film’s opening weekend like for you?

 

That’s when I really realized I made a different movie. I’ve never experienced the intensity but also such emotional satisfaction but also fear. You don’t need everyone to understand it — you just hope that a few people do. You hope that they saw what you’re doing. And I think that’s all any artist can really hope for.

 

Did you second-guess yourself after its release — “I should have included Batman or the Joker,” anything like that?

 

Of course you do. The movie is of such a scale — as its director, there are things that you control and things that you don’t, things that were definitely above my pay grade as well. You have to let go of certain things, unfortunately. I had gotten kind of used to it, trying to stick to your instincts whenever you can, but also understanding that it’s an extremely collaborative process to make a movie.

 

How did you feel about the film getting an accelerated VOD release?

 

I still think the best viewing experience will always be with a big crowd, the best sound and all of that. I was really inspired by what Universal did, to release theatrical movies on VOD quicker. I thought that was great. I didn’t actually speak to the studio, I just tweeted about it — I said I would not be opposed to it. And then found out that they were already thinking about it. So it just worked out. I wish I could say I had that much power.

 

Warner Bros. has been much less rigid than Marvel about requiring its superhero movies to tie into each other. What does the outcome for “Birds of Prey” mean for this strategy?

 

I can only speak for this movie and my experience. But there was very little pressure to integrate it with other movies. We were always a stand-alone film. At no point was I ever told I had to shoot in this location or tie it in with anything else. I felt very free to make the best movie that I could. And I can’t emphasize enough that it was a risk. I thank Warner Bros. because it was a risk to make it R-rated. To have a scene where Harley snorts cocaine and powers up and beats a bunch of guys with a bat. There’s some really weird, crazy stuff in the movie that we get to do.

 

“Birds of Prey” really fetishizes breakfast sandwiches. Why was this so important to you?

 

It’s such a New York thing and I’m a very proud New Yorker. We were shooting in L.A., so we had to change it a little bit. It was impossible to find that New York bun — that doughy, circular bun. I remember asking my assistant at the time, who was flying back to New York, to go to a bodega and pick up some of the paper, where one side is foil and the other side is wax paper. What’s been really fun is getting comments from people in Greece or Turkey or South Korea that are like, “What’s a breakfast sandwich? I want a breakfast sandwich.” The breakout star of “Birds of Prey” is the breakfast sandwich.

[Танцор34]

Фактически культ как с резинкой для волос.

[DandyAndy]

[LUCIFER]

Этого увозить в дурку.

 

Дэнди, я тоже твиттер завел. Будешь и мои мысли в темы тащить?

[Танцор34]

 

Такое только хейтер Снайдера может написать

[Dark_Hierophant]

Там в комментах есть ещё:

Not to mention every fight scene in BoP was better filmed, choreographed & executed than anything in the Snyder-verse movies

[DandyAndy]

Там в комментах есть ещё:

Пишет уже другой человек, да и касается это качества экшна относительно бюджета

Not to mention every fight scene in BoP was better filmed, choreographed & executed than anything in the Snyder-verse movies, for a fraction of the budget.

[EMoushen]

Мне интересно. Я за прозрачность информации без вырывания из контекста

Пасибо, DandyAndy