Раздача слонов - Кинонаграды 2021 года

[JGLevitt]

Может быть конкурентом на BP ?

 

Фильм совершенно не формат Оскара

[DandyAndy]

DGA временно разрешила участвовать в борьбе на награду режиссерам фильмов, выходящих одновременно в кинотеатрах и на потоковых сервисах

[ORANGE'71]

:wow: "Прогнозы по кинонаградам неоскаровского сезона 2021-2022" :wow:

[Walter666]

Petite Maman (Sciamma) получает приз зрителей в Сан-Себастьяне.

 

[ORANGE'71]

Sian Heder, Questlove to Receive Sundance Institute Vanguard Award

 

The Sundance Institute will present the 2021 Vanguard Award to “CODA” filmmaker Sian Heder and “Summer of Soul” director Ahmir “Questlove” Thompson, the institute announced Thursday.

 

The Vanguard Award honors artists whose work highlights storytelling and creative independence, and this year, it expanded to both fiction and nonfiction storytellers.

 

Previous recipients of the award, which was created in 2012, include Ryan Coogler, Damien Chazelle, Marielle Heller, Nate Parker, Dee Rees, Boots Riley, Lulu Wang, Benh Zeitlin and Radha Blank. Leadership Vanguard honorees have included Glenn Close, Roger Ebert, George Gund, Alejandro Gonz225;lez I241;225;rritu and Quentin Tarantino.

[Veryjammy]

Однако, Уэс чуть ли не на последнем месте. И в Теллурайде была донная оценка. Никак не перестану удивляться, как слабо его приняли

[EMoushen]

Да наелись уже Уэса, чувак явно на месте топчется

Опять куча эксцентрчных персонажей танцует вальс с симметричным кадром. По трейлеру

[empathy]

победители «кинотавра»

Лучший фильм — «МОРЕ ВОЛНУЕТСЯ РАЗ» Николая Хомерики

Лучший режиссер — Владимир Мункуев («НУУЧЧА»)

Лучшая женская роль — Ольга Бодрова («МОРЕ ВОЛНУЕТСЯ РАЗ»)

Лучшая мужская роль — Павел Деревянко («ПОДЕЛЬНИКИ»)

Лучший сценарий — Меркулова-Чупов-Таниэль («КАПИТАН ВОЛКОНОГОВ БЕЖАЛ»)

Лучший дебют — «ОБЩАГА» Романа Васьянова

Специальный диплом жюри — «ГЕРДА» Натальи Кудряшовой

Лучшая операторская работа — Николай Желудович («МОЛОКО ПТИЦЫ»)

Оригинальная музыка — Алексей Ретинский («МЕДЕЯ»)

[тот кот]

"ткните в любой фильм Годара - и вам будет интересно"

Иногда и сломанные часы показывают правильное время.

[Walter666]

Сан-Себастьян, итоги

OFFICIAL SELECTION PRIZES

 

Golden Shell for Best Film: “Blue Moon,” Aline Grigore

 

Special Jury Prize: “Earwig,” Lucile Hadzihalilovic

 

Silver Shell for Best Director: “As in Heaven,” Tea Lindeburg

 

Silver Shell for Best Leading Performance (tied): “The Eyes of Tammy Faye,” Jessica Chastain; “As in Heaven,” Flora Ofelia Hofmann Lindahl

 

Silver Shell for Best Supporting Performance: “Who’s Stopping Us,” the ensemble

 

Best Screenplay: “Benediction,” Terence Davies

 

Best Cinematography: “Undercover,” Claire Mathon

 

Выиграл фильм с худшей оценкой в табличке испанских критиков

 

[VladimirLensky]

Что ж теперь Белфаст претендент номер 1 на Оскар?

 

Белфаст претендент на номинацию.

 

1. The Power of the Dog (Netflix) [Venice, Telluride, TIFF, NYFF]

2. Nightmare Alley (Searchlight Pictures)

3. House of Gucci (MGM/UA)

4. Dune (Warner Bros/HBO Max) [Venice, TIFF]

5. The Tragedy of Macbeth (A24/Apple) [NYFF]

6. Belfast (Focus Features) [TIFF]

 

Erik Anderson

[DandyAndy]

Кинофестиваль в Мидлберге

Kicking off the Middleburg Film Festival on October 14th is King Richard, starring Will Smith as Richard Williams, father to tennis champions Serena and Venus Williams. Directed by Reinaldo Marcus Green (Monsters and Men), the film also stars Aunjanue Ellis as the girls’ mom, Saniyya Sidney as Venus, Demi Singleton as Serena, and Tony Goldwyn and Jon Bernthal as influential coaches Paul Cohen and Rick Macci.

 

The Saturday Centerpiece is Kenneth Branagh’s acclaimed coming-of-age film Belfast, winner of the TIFF People’s Choice Award. Following one boy’s childhood in the tumultuous 1960s of Northern Ireland, the film stars Caitriona Balfe, Judie Dench, Jamie Dornan, Ciaran Hinds and Jude Hill.

 

Closing out the festival on Sunday is Jane Campion’s The Power of the Dog, which has already been earning Oscar buzz for star Benedict Cumberbatch. Also starring Jesse Plemons, Kirsten Dunst and Kodi Smit-McPhee, it follows Phil Burbank (Cumberbatch), a charismatic rancher who inspires fear and awe in those around him. When his brother brings home a new wife and her son, Phil responds with mocking cruelty until he finds himself exposed to the possibility of love.

 

The Friday Spotlight definitely has my attention, as it will be Red Rocket, the new film from The Florida Project‘s Sean Baker. Starring Simon Rex in a performance already being called “charismatic”, the story follows Mikey Saber, a hustler who returns to his small Texas hometown after a failed adult film career in L.A.

 

Set for the International Spotlight is The Hand of God, the autobiographical film from writer/director Paolo Sorrentino (The Great Beauty) centering on a young man coming of age in 1980s Naples where family, soccer, cinema, love and loss dominate his thoughts.

 

The Documentary Spotlight is Flee, Jonas Poher Rasmussen film about “Amin as he confronts a painful secret he has kept for 20 years. Recounting the story for the first time to Rasmussen (his close friend and high school classmate), Amin chronicles his extraordinary childhood journey of fleeing Afghanistan with the help of smugglers and settling in Denmark as an unaccompanied minor.”

[EMoushen]

Notes On The Season: From ‘Dear Evan Hansen’ To ‘West Side Story’, Studios Betting On Love For Musicals To Pave The Way To Oscars

 

Список мюзиклов этого года:

 

In the Heights

Vivo

Annette

Cinderella

Everybody’s Talking About Jamie

Dear Evan Hansen

Encanto

Tick, Tick…Boom

West Side Story

Cyrano

 

Оказывается Ричард Линклейтер занимется экранизацией провального мюзикла Стивена Сондхайма "Merrily We Roll Along" из 80-х, который как и Boyhood будет сниматься больше декады, состаривая актеров. По сюжету повествование двигается в обратном порядке - от зрелого возраста персонажей к их молодости и охваетывает 20 лет их жизни

[ORANGE'71]

Оказывается Ричард Линклейтер занимется экранизацией провального мюзикла Стивена Сондхайма "Merrily We Roll Along" из 80-х, который как и Boyhood будет сниматься больше декады, состаривая актеров. По сюжету повествование двигается в обратном порядке - от зрелого возраста персонажей к их молодости и охваетывает 20 лет их жизни

Огонь!

[ORANGE'71]

:wow: Прогнозы по кинонаградам Оскаровского сезона 2021-2022 :wow:

[ORANGE'71]

Is Paul Thomas Anderson Still The Current ‘Master’ of Cinema?

 

Every generation has a cinematic “master:” a director who stands above the rest in terms of artistry and groundbreaking works. This director tends to be the one who everyone else tries to catch up to. With every generation, there usually are only a few that can have the title of ‘master.’

 

The following is as clear a timeline as I could come up with of the designated titular “masters.” This starts as the conception of auteur-driven cinema was being invented, or starting to take shape, in 1950s France by the Cahiers du Cinema editorial board.

 

Akira Kurosawa: 1950-1958 (Rashomon, Ikiru, Seven Samurai, Throne of Blood, The Hidden Fortress)

Alfred Hitchcock: 1958 to 1960 (Rear Window, Vertigo, North by Northwest, Vertigo)

Michelangelo Antonioni: 1960-1966 (L’Avventura, L’Eclisse, La Notte, Blow-Up)

Jean-Luc Godard: 1960-1964 (Breathless, A Woman is a Woman, My Life to Live, Contempt, Band of Outsiders)

Stanley Kubrick: 1963 to 1975 (Dr. Strangelove, 2001: A Space Odyssey, A Clockwork Orange, Barry Lyndon)

Francis Ford Coppola: 1972-1979 (The Godfather, The Godfather Part II, The Conversation, Apocalypse Now)

Martin Scorsese: 1976-1990 (Taxi Driver, Raging Bull, The King of Comedy, After Hours, Goodfellas)

 

Paul Thomas Anderson is most definitely the one to have taken that throne with his staggering output these last 15 years. Hot on his trail have been the likes of Cuaron, Lynch and Coen. However, Anderson’s streak of films, since 1997’s “Boogie Nights,” has been unparalleled — his style, an indelible mix of Influences ranging from Altman, Kubrick and Demme.

 

This is how I see the current state of cinema. It’s obviously very much my opinion and thoroughly up for debate. Counter-opinions should be made about this list and, because cinema is such an evolving medium, with some films aging better than others, it is almost a certainty that the reputation of these filmmakers will either blossom or stumble in the years to come. The current ten best working directors:

 

Paul Thomas Anderson

Alfonso Cuaron

Joel and Ethan Coen

Martin Scorsese

David Lynch

Quentin Tarantino

David Fincher

Wes Anderson

Steve McQueen

Christopher Nolan (Yes, love him or hate him)

 

After “There Will Be Blood” and “The Master,” PTA had the crown all to himself, but by the time “Inherent Vice” was released in 2014, it divided critics and sowed enough doubt as to whether PTA was still the best working director alive.

 

However, with 2017’s “Phantom Thread,” he reestablished himself as the current “great one” — ‘Phantom’ ended up being named the 8th best film of the last decade in my Critics Poll of the 2010s (“The Master” finished 6th, “Inherent Vice” 36th). “There Will Be Blood” finished at #2 in our Critics Poll of the 2000s. “Magnolia” was #7 and “Boogie Nights” #8 in our Critics Poll of the 1990s.

[Константино]

:wow: Прогнозы по кинонаградам неоскаровского сезона 2021 — 2022 :wow:

 

 

 

:plus: :plus: :plus: :plus: :plus: :plus: :plus:

[Константино]

:wow: Прогнозы по кинонаградам Оскаровского сезона 2021 — 2022 :wow:

 

 

 

:plus: :plus: :plus: :plus: :plus: :plus: :plus:

[Walter666]

Asian Film Awards 2021

 

Best film: Wife of a Spy (Japan)

 

Best director: Zhang Yimou (One Second)

Best actor: Yoo Ah-in (Voice of Silence)

Best actress: Yu Aoi (Wife of a Spy)

Best supporting actor: Kim Hyun-bin (The Silent Forest)

Best supporting actress: Aju Makita (True Mothers)

Best new director: Hong Eui-jeong (Voice of Silence)

Best newcomer: Liu Haocun (One Second)

Best screenplay: The Disciple

 

Best editing: Cliff Walkers

Best cinematography: The Wasteland

Best original music: The Way We Keep Dancing

Best costume design: Wife of a Spy

Best production design: Limbo

Best visual effects: The Eight Hundred

Best sound: Limbo

[ORANGE'71]

The Current 10 Best Foreign Film Directors

 

 

Michael Haneke

Jean-Pierre & Luc Dardenne

Pedro Almodovar

Asghar Farhadi

Apichatpong Weerasethakul

Mike Leigh

Lucrecia Martel

Claire Denis

Celine Sciamma

Bong Joon-ho

 

 

It was very hard to stop at 10. The state of foreign-language film is so bright that I had a shortlist of 50 names. I narrowed it down to the above 10, but painstakingly, and I’m already kicking myself for not including Lars von Trier, Lee Chang-dong, Lynne Ramsay, Jia Zhang-ke, Olivier Assayas, Andrey Zvyagintsev, Pawel Pawlikowski, Hirokazu Kore-eda, Jafar Panahi, Nuri Bilge Ceylan, Christian Petzold, Mia Hansen-L248;ve, Andrea Arnold, Hou-Hsiao-Hsien, Kleber Mendonca Filho, Jacques Audiard, Ruben Ostlund, Cristian Mungiu, Jian Zhang-ke and Maren Ade.

 

The criteria for choosing this list: Reputation, quality of films, recent output, festival presence and, most importantly, influence. World cinema would be a very different place without paradigm shifters such as Haneke, Dardenne, and Farhadi (among others). Their styles have been copied to death by hundreds upon hundreds of directors all around the world.

[MysteryMan]

Майк Ли форейн директор? Типа не инглиш)?

[ORANGE'71]

Про Ли непонятно, учитывая что он сам пишет "state of foreign-language film".

[ORANGE'71]

Critics Rank the Best Films and Performances of the Fall Festivals

 

 

The Best Films at the Fall Festivals

1. “The Power of the Dog”

2. “Titane”

3. “The Worst Person in the World”

4. “Drive My Car”

5. “Petite Maman”

6. “Memoria”

7. “Dune”

8. “Red Rocket”

9. “Bergman Island”

10. “The Tragedy of Macbeth”

11. “Spencer”

12. “Wheel of Fortune and Fantasy”

13. “Parallel Mothers”

14. “C’mon C’mon”

15. “The Lost Daughter”

 

Venice – Best Film

“The Power of the Dog”

 

Telluride – Best Film

“C’mon C’mon”

 

TIFF – Best Film

“The Power of the Dog”

 

NYFF – Best Film

“The Worst Person in the World”/”The Power of the Dog”

 

Best Documentaries of the Fall Festivals

1. “Flee”

2. “The Velvet Underground”

3. “The Rescue”

 

Best Directed Film of the Fall Festivals

1. “The Power of the Dog” (Jane Campion)

2. “Titane” (Julia Ducournau)

3. “Drive My Car” (Ryusuke Hamaguchi)

 

Best Screenplay of the Fall Festivals

TIE: “The Worst Person in the World”/”Drive My Car”

 

 

Best Performance of the Fall Festivals

1. Renate Reinsve, “The Worst Person in the World”

2. Agathe Rousselle, “Titane”

3. Benedict Cumberbatch, “The Power of the Dog”

4. Kristen Stewart, “Spencer”

5. Tilda Swinton, “Memoria”

[DandyAndy]

Golden Globes to Be Awarded in 2022 Without NBC Telecast

”The HFPA plans to recognize the performances of 2021 to celebrate the great work of the industry this past year,“ an individual close to the HFPA tells TheWrap

[ORANGE'71]

Asia Pacific Screen Academy Announces Nominees For 14th Annual Awards Ceremony

 

BEST FEATURE FILM

 

A Hero (Ghahreman)

Directed by Asghar FARHADI

 

A Night of Knowing Nothing

Directed by Payal KAPADIA

 

Drive My Car

Directed by Ryusuke HAMAGUCHI

 

The Pencil (Prostoy karandash)

Directed by Natalya NAZAROVA

 

There is No Evil (Sheytan vojud nadarad)

Directed by Mohammad RASOULOF

 

 

BEST ANIMATED FEATURE FILM

 

Beauty Water

Directed by CHO Kyung-hun

 

Fortune Favors Lady Nikuko

Directed by Ayumu WATANABE

 

The Knight and The Princess

Directed by Bashir EL DEEK, Ibrahim MOUSA

 

The Nose or The Conspiracy of Mavericks

Directed by Andrey KHRZHANOVSKY

 

Where is Anne Frank

Directed by Ari FOLMAN

 

...