Раздача слонов - Кинонаграды 2021 года

[Зеленоглазка]

Ваши прогнозы, у какого режиссера будет в итоге больше всех упоминаний?

 

Я ставлю на Хичкока и Скорсезе.

 

ПС: и Кубрик может оказаться темной лошадкой.

[empathy]

бергман еще.

[Walter666]

У Годара или Бергмана. К сожалению.

[Зеленоглазка]

Не верю в Бергмана, топ вырисовывается явно американо-ориентированным.

[тот кот]

Ставлю на Хичкока, но у Годара, кажется, есть шансы на попадание в тройку.

[ORANGE'71]

Хичкок.

 

Раннер-ап: Бергман.

[Walter666]

Напомню, в официальном топ1000 больше всего у Годара и Бунюэля (15), потом Бергман и Форд (14), Хичкок (13), Кубрик, Ренуар, Куросава, Хоукс (11).

[EMoushen]

.

DiscussingFilm

@DiscussingFilm

 

The Directors Guild of America has announced that all films released after June 15 must have an exclusive 7-day theatrical run before releasing on other platforms in order to qualify for any DGA Awards.

 

This disqualifies films such as ‘Dune’ from being nominated.

[ORANGE'71]

Hollywood Critics Association Midseason Awards 2021

 

 

Best Filmmaker:

 

John Krasinski, A Quiet Place Part II

Jon M. Chu, In the Heights

Michael Rianda, The Mitchells vs. the Machines

Prano Bailey-Bond, Censor

Emma Seligman, Shiva Baby

 

 

Best Actor:

 

Anthony Ramos, In the Heights

Bob Odenkirk, Nobody

Armando Espitia, I Carry You with Me

Mads Mikkelsen, Riders of Justice

Clayne Crawford, The Killing of Two Lovers

 

 

Best Actress:

 

Emma Stone, Cruella

Melissa Barrera, In the Heights

Millicent Simmonds, A Quiet Place Part II

Niamh Algar, Censor

Rachel Sennott, Shiva Baby

 

 

Best Supporting Actor:

 

Corey Hawkins, In the Heights

Jimmy Smits, In the Heights

Cillian Murphy, A Quiet Place Part II

Paul Walter Hauser, Cruella

Christian V225;zquez, I Carry You with Me

 

 

Best Supporting Actress:

 

Emily Blunt, A Quiet Place Part II

Emma Thompson, Cruella

Olga Merediz, In the Heights

Tig Notaro, Army of the Dead

Leslie Grace, In the Heights

 

 

Best Screenplay:

 

A Quiet Place Part II

Cruella

In the Heights

The Mitchells vs. the Machines

Shiva Baby

 

 

Best Indie Film:

 

The Killing of Two Lovers

Shiva Baby

Censor

Werewolves Within

Zola

 

 

Most Anticipated Film For The Rest of 2021:

 

Candyman

Last Night in Soho

The Green Knight

The French Dispatch

No Time to Die

[DandyAndy]

.

Oscars: Academy Will Still Allow Day-and-Date Releases to Qualify, Unlike DGA, and Tinkers with Other Rules

This policy, as well as other rules and campaign regulations for the 94th Academy Awards season, were approved by the Academy’s board of governors on Wednesday, May 26 — and may force either the DGA or, say, WarnerMedia, to reconsider their currently stated plans for the season.

[EMoushen]

Может уже была новость

Tweaks to the rules also include a significant change in the Music branch, where now only 35% of total music in a film is necessary to be eligible, down from 60%.

[Walter666]

2021 Locarno Lineup

 

PIAZZA GRANDE

 

“Beckett,” Ferdinando Cito Filomarino (Italy)

 

“Hinterland,” Stefan Ruzowitzky (Austria, Luxembourg)

 

“Monte Verita,” Stefan Jager (Switzerland, Austria, Germany)

 

“The Alleys,” Bassel Ghandour (Jordan, Egypt, Saudi Arabia, Qatar)

 

“Free Guy,” Shawn Levy (U.S., Canada, Japan)

 

“Ida Red,” John Swab (U.S.)

 

“Yaya e Lennie – The Walking Liberty,” Alessandro Rak (Italy)

 

“Rose,” Aurelie Saada (France)

 

“Respect,” Liesl Tommy (Canada, U.S.)

 

“Vortex,” Gaspar Noe (France/Belgium/Monaco)

 

“Sinkhole,” Kim Ji-hoon (South Korea)

 

INTERNATIONAL COMPETITION

 

“The Giants,” Bonifacio Angius (Italy)

 

“The River,” Ghassan Salhab (Lebanon, France, Germany, Qatar)

 

“Juju Stories,” Abba T. Makama, C.J. ‘Fiery’ Obasi, Michael Omonua (Nigeria, France)

 

“Medea,” Alexander Zeldovich (Russia)

 

“Soul of a Beast,” Lorenz Merz (Switzerland)

 

“Petite Solange – Axelle Ropert (France)

 

“Luzifer,” Peter Brunner (Austria)

 

“Zeros and Ones,” Abel Ferrara (Italy, Germany, U.S.)

 

“Heavens Above,” Srdjan Dragojevic (Serbia, Germany, North Macedonia, Slovenia, Croatia, Montenegro, Bosnia-Herzegovina)

 

“The Odd-Job Men,” Neus Ballus (Spain)

 

“A New Old Play” Qiu Jiongjiong (Hong Kong, France)

 

“The Sacred Spirit” Chema Garcia Ibarra (Spain, France, Turkey)

 

“Cop Secret” Hannes Por Halldorsson (Iceland)

 

“Secret Name” Aurelia Georges (France)

 

“Vengeance Is Mine, All Others Pay Cash” by Edwin (Indonesia, Singapore Germany)

 

“Paradis sale” by Bertrand Mandico (France)

 

“Gerda,” Natalya Kudryashova (Russia)

[ORANGE'71]

On Wednesday — a day after the Directors Guild of America announced that, with the worst of the pandemic apparently in the rearview mirror, it will no longer consider day-and-date releases for the top prize at its next DGA Awards — the Academy of Motion Picture Arts and Sciences announced that it would continue to consider day-and-date releases for Oscars.

 

COVID impacted theatrical exhibition for a portion of this year, it will, like last year, allow films to qualify for Oscar eligibility — for general entry categories as well as documentary and short film categories — by screening in one of six U.S. metropolitan areas, rather than just New York or LA: Los Angeles County; the City of New York; the Bay Area; Chicago, Illinois; Miami, Florida; and Atlanta Georgia.

 

Another COVID-era rule change will remain in effect. All Academy members who wish to participate in the preliminary and nomination rounds of voting for the international feature film category will continue to be able to do so, and the shortlist itself will remain at 15, up from 10.

 

Additionally, the shortlists for the shorts categories — best animated short, best documentary short and best live action short — is being expanded from 10 to 15.

 

And a new shortlist is being introduced for the sound category. There will now be a preliminary round of voting by the sound branch to determine a shortlist of 10 films, and shortlistees will be invited to make a presentation for branch members prior to nomination voting. (Similar “bakeoffs” occur for the visual effects and makeup & hairstyling categories.)

 

Two changes will impact music categories. To be eligible for best original score, a film’s score must now be comprised of just 35% original music, down from 60%. (The higher bar led to the disqualification of scores like Birdman and Green Book.) And no more than five tunes from any one film may be submitted for best original song.

 

The biggest rule changes, though, were first announced months ago: (1) there will now be a fixed 10 best picture nominees, as opposed to a number somewhere between five and 10; and (2) the mailing to members of DVDs, CDs and physical screenplays is now verboten

:idea:

[ORANGE'71]

Ultimate 2022 Oscars Best Picture Contenders Guide

 

LIKELY BEST PICTURE CONTENDERS

 

 

Wes Anderson, “THE FRENCH DISPATCH” (Searchlight Pictures)

That cast. Anderson’s pedigree. A Cannes competition selection…twice. The October release date (Y’all forgot that was prime Best Picture release month right?). Hard to see it not being a significant player throughout the season.

 

Guillermo del Toro, “NIGHTMARE ALLEY” (Searchlight Pictures)

Del Toro’s follow-up to Best Picture winner “The Shape of Water” was always going to be under the awards season microscope. And that was before Bradley Cooper, Willem Dafoe, Cate Blanchett, Rooney Mara, Michael Shannon, and Toni Colette came along for the ride.

 

Ridley Scott, “THE LAST DUEL” (20th Century Studios)

The legendary director has been hit or miss the past few years, but this end-of-year period piece just happens to feature a screenplay co-written by Ben Affleck, Matt Damon, and Nicole Holofcener. The last time Affleck and Damon co-wrote and starred in a movie was “Good Will Hunting” which led to their Best Original Screenplay Oscar. No pressure fellas.

 

Ridley Scott, “THE HOUSE OF GUCCI” (MGM/UA)

A second Ridley Scott-directed contender? Based on current release dates it looks like it. Throw a fashion family drama into the mix with Al Pacino, Salma Hayek, Jared Leto, Jeremy Irons, Adam Driver, and…Lady Gaga and, well, wowzers. Can Scott get two films to the Best Picture finish line?

 

Steven Spielberg, “WEST SIDE STORY” (20th Century Studios)

Sure, it’s a movie remake of a stage musical that spawned 1962’s legendary Best Picture winner, but it wouldn’t be the first time both films earned Oscar’s top nod. “Cleopatra,” “Mutiny on the Bounty” and “My Fair Lady” all played that game before. And, Spielberg’s recent Best Picture nomination track record is nothing to sneeze at either.

 

Denzel Washington, “A JOURNAL FOR JORDAN” (Sony Pictures)

Washington’s latest directorial effort tells the true story of an Army Sargeant (Michael B. Jordan) who authored a journal of life advice for his son just in case he was killed in action. Granted, release dates can change at the drop of a hat, but that Dec. 22 release date screams Oscar player to us, how about you?

 

Paul Thomas Anderson, “UNTITLED PTA” (MGM/UA)

Two of PTA’s last four films (“There Will Be Blood,” “Phantom Thread”) earned Best Picture nominations and a third (“The Master”) should have. Throw in yet another Bradley Cooper performance and a ’70s San Fernando Valley setting and it’s all too intriguing to ignore. And that late Christmas-timed limited release (same as “Phantom”) is a clue that MGM/UA is hoping for awards and critics love.

 

Adam McKay, “DON’T LOOK UP” (Netflix)

I mean, McKay has had two back-to-back Best Picture nominees. He’s sorta on a roll. And a cast featuring Timothee Chalamet, Leonardo DiCaprio, Jennifer Lawrence, Cate Blanchett, Jonah Hill, Mark Rylance, Meryl Streep, Tyler Perry, and...Ariana Grande? What AMPAS member isn’t make this a screening priority?

 

Rebecca Hall, “PASSING” (Netflix)

Hall’s directorial debut didn’t get across the board euphoric raves out of Sundance, but it certainly got enough. Tessa Thompson and Ruth Negga are legit acting nominee contenders, but no one should discount this drama’s shot at a BP nod.

 

Lin-Manuel Miranda, “TICK TICK…BOOM” (Netflix)

Expect some fall festival love for Miranda’s feature directorial debut. And, rumor is the Netflix release plays. Plus, we’re hard-pressed to see how SAG members will be able to resist the surprisingly snappy singing talents of Andrew Garfield.

 

Denis Villeneuve, “DUNE” (Warner Bros)

Venice and TIFF are set to screen Villeneuve’s highly anticipated adaptation of Frank Herbert’s classic sci-fi novel. Like the somehow underrated “Blade Runner 2049,” something tells us box office is going to be the key to its industry perception. Therefore, the fact it’s still going to be on HBO Max and in theaters gives us pause. Speaking of that one-year Warner Bros distribution arrangement…

 

John M. Chu, “IN THE HEIGHTS” (Warner Bros)

Third-party services show no big bump for HBO Max around “In The Heights” opening weekend. That makes its box office performance even more disheartening as a chunk of ticket buyers didn’t avoid the theatrical experience. Of course, it earned rapturous reviews, and if WB keeps the drumbeat going it “should” still earn a Best Picture nomination Plus, it helps the unexpected controversy is already out of the way (we think).

 

Reinaldo Marcus Green, “KING RICHARD” (Warner Bros)

Will Smith playing Richard Williams, the father and coach of tennis legends Serena and Venus Williams? A Nov. 19 release date smack dab when you absolutely want to release an Oscar contender? A possible fall festival debut? Setpoint, Mr. Smith and Mr. Green.

 

George Miller, “THREE THOUSAND YEARS OF LONGING” (MGM/UA)*

Idris Elba and Tilda Swinton in a fantasy film that begins in an Istanbul hotel room directed by George Miller? That might not seem like typical Academy fare, but then again the door has been swung wide open by films precisely like Miller’s masterpiece, and last production, “Mad Max: Fury Road.” There is no guarantee it will release this year (it’s not dated), but if MGM/UA moves it to December they will certainly have Oscars in their sights.

 

Liesl Tommy, “RESPECT” (MGM/UA)

Is it “Walk the Line” or is it “Get on Up?” Is it closer to “Ray” or is it along the lines of “Rocketman?” Two of those were Best Picture nominees, and the other two were notably not. Jennifer Hudson will certainly have members’ attention as she tries to fill the shoes of Aretha Franklin, the undisputed Queen of Soul. And word is, the film is much better than the trailers have let on. We’ll find out soon enough when it opens in theaters on August 13.

 

Mike Mills, “C’MON C’MON” (A24)

“Beginners” won Christopher Plummer an Oscar. “20th Century Women” earned Mills his first nomination in the Original Screenplay category. Now, he’s teaming up with Academy favorite Joaquin Phoenix for a road trip movie lensed by none other than “Marriage Story” and “The Favourite’s” Robbie Ryan. There’s a rumored impressive fall festival debut and along with A24’s undisputed acumen, we’re very, very intrigued.

 

Stephen Chbosky, “DEAR EVAN HANSEN” (Universal Pictures)

Yes, we all know that Ben Platt looks way too old to be playing a high school student now (or on-screen), but, guess what? The word is the film plays. And it plays much better than you’d ever expect (I mean, it is Tony Award-winning source material). Does that mean it’ll play to AMPAS members? Possibly, but that September 24 release date has us concerned. That’s simply too early for a legit Best Picture nominee.

 

Justin Chon, “THE BLUE BAYOU” (Focus Features)

There has been buzz surrounding Chon’s latest since before the pandemic hit. You’ve got Cannes debut in the Director’s Fortnight slate, Oscar winner Alicia Vikander and a timely immigration storyline will likely make it a must-see Sur la Croisette and in theaters this September.

 

David O. Russell, “UNTITLED DAVID O. RUSSELL” (20th Century Studios)

It’s been six years since the box office and critical disappointment of “Joy” but Russell is still a five-time Oscar nominee and has three Best Picture nominees to his credit. Ignore him at your own peril. (Also, it’s unclear Disney/20th will even release it this year).

 

Joel Coen, “THE TRAGEDY OF MACBETH” (A24/Apple TV+)

Forget the Oscar checklist among the talent in front of and behind the camera. From what we’ve heard, this one is a player with a capital “P.”

 

Will Sharpe, “THE ELECTRICAL LIFE OF LOUIS WAIN” (Amazon Studios)

Could this finally be Benedict Cumberbatch‘s moment? And if that’s the case, can that love propel it into Oscar’s top 10?

 

Sian Heder, “CODA” (AppleTV+)

You’ll laugh. You’ll cry. You’ll watch it at home on your Apple TV+ app. Hmm. I’d say it needs some major in-theater word of mouth among the industry to really be a player, but I did review it virtually and still totally fell for it. Oh, also a rare Sundance U.S. Dramatic Competition Grand Jury and Audience Winner.

 

Aaron Sorkin, “BEING THE RICARDOS” (Amazon Studios)

Unclear if this will make it in time for this awards season, but, as you’re aware, Hollywood absolutely loves stories about itself. And if Nicole Kidman can pull off playing comedy legend Lucille Ball? Anything is possible.

 

Clint Eastwood, “CRY MACHO“

It’s easy to say Eastwood’s Best Picture days are behind him as a filmmaker, but “American Sniper’s” nomination was just six years ago and he guided Kathy Bates to an Oscar nod a little over a year ago for “Richard Jewell.” Plus, after seemingly retiring from acting following “Grand Torino,” he’s put himself back in the spotlight again at the lively young age of 91-years-old. Sure, the Sept. 17 release date isn’t a good sign, but all this at 91? Damn.

 

Olivia Wilde, DON’T WORRY DARLING (Warner Bros.)**

Another film that currently isn’t in the awards season window, but it easily could be. And with Harry Styles, Florence Pugh, Chris Pine, and Dakota Johnson, it’s bound to be a must-see for just about everyone. If WB drops it at a festival this fall you know they think they’ve got the goods.

 

*Currently dated for 2022

**Currently dated for Feb. 2022

 

...

[тот кот]

Нравится жюри в Локарно

The Jury of the Concorso internazionale

 

Eliza Hittman (Filmmaker, USA) - President

Kevin Jerome Everson (Artist and filmmaker, USA)

Isabella Ferrari (Actress, Italy)

Philippe Lacote (Director, Ivory Coast)

Leonor Silveira (Actress, Portugal)

[тот кот]

13 votes

 

688. Alice in the Cities (Wim Wenders, 1974, West Germany)

688. Angel's Egg (Mamoru Oshii, 1985, Japan)

688. Cat People (Jacques Tourneur, 1942, USA)

688. Celine (Jean-Claude Brisseau, 1992, France)

688. Claire's Knee (Eric Rohmer, 1970, France)

688. Clueless (Amy Heckerling, 1995, USA)

688. La Commune (Paris, 1871) (Peter Watkins, 2000, France)

688. Deep Red (Dario Argento, 1975, Italy)

688. Detour (Edgar G. Ulmer, 1945, USA)

688. Dust in the Wind (Hou Hsiao-hsien, 1987, Taiwan)

688. Eros + Massacre (Yoshishige Yoshida, 1969, Japan)

688. Five Easy Pieces (Bob Rafelson, 1970, USA)

688. Flowers of Shanghai (Hou Hsiao-hsien, 1998, Taiwan)

688. The Flowers of St. Francis (Roberto Rossellini, 1950, Italy)

688. Ghost World (Terry Zwigoff, 2001, USA-UK-Germany)

688. Ghostbusters (Ivan Reitman, 1984, USA)

688. Good Will Hunting (Gus Van Sant, 1997, USA)

688. The Heartbreak Kid (Elaine May, 1972, USA)

688. Hunger (Steve McQueen, 2008, UK-Ireland)

688. In Vanda's Room (Pedro Costa, 2000, Portugal-Germany-Switzerland-Italy)

688. Kwaidan (Masaki Kobayashi, 1964, Japan)

688. The Lion King (Rob Minkoff & Roger Allers, 1994, USA)

688. The Lobster (Yorgos Lanthimos, 2015, Ireland-UK-Greece-France-Netherlands-USA)

688. Lola Montes (Max Ophuls, 1955, France-West Germany)

688. Mad Max 2 (George Miller, 1981, Australia)

688. Mauvais sang (Leos Carax, 1986, France)

688. Mon oncle (Jacques Tati, 1958, France)

688. Mr. Hulot's Holiday (Jacques Tati, 1953, France)

688. Mysterious Skin (Gregg Araki, 2004, USA-Netherlands)

688. The Nightmare Before Christmas (Henry Selick, 1993, USA)

688. The Phantom Carriage (Victor Sjostrom, 1921, Sweden)

688. Point Blank (John Boorman, 1967, USA)

688. Return of the Jedi (Richard Marquand, 1983, USA)

688. Saving Private Ryan (Steven Spielberg, 1998, USA)

688. The Silence (Ingmar Bergman, 1963, Sweden)

688. The Sixth Sense (M. Night Shyamalan, 1999, USA)

688. Starship Troopers (Paul Verhoeven, 1997, USA)

688. A Streetcar Named Desire (Elia Kazan, 1951, USA)

688. A Summer's Tale (Eric Rohmer, 1996, France)

688. The Tenant (Roman Polanski, 1976, France-USA)

688. Throw Down (Johnnie To, 2004, Hong Kong-China)

688. The Watermelon Woman (Cheryl Dunye, 1996, USA)

688. Wavelength (Michael Snow, 1967, Canada-USA)

688. Whisper of the Heart (Yoshifumi Kondo, 1995, Japan)

688. Winter Sleep (Nuri Bilge Ceylan, 2014, Turkey-Germany-France)

688. Withnail & I (Bruce Robinson, 1987, UK)

688. Zama (Lucrecia Martel, 2017, Argentina-Brazil-Spain-Dominican Republic-France-Netherlands-Mexico-Switzerland-USA-Portugal-Lebanon)

 

14 votes

 

652. All About Lily Chou-Chou (Shunji Iwai, 2001, Japan)

652. Black Girl (Ousmane Sembene, 1966, Senegal-France)

652. Crimes and Misdemeanors (Woody Allen, 1989, USA)

652. Edvard Munch (Peter Watkins, 1974, Sweden-Norway)

652. Eyes Without a Face (Georges Franju, 1960, France-Italy)

652. La Flor (Mariano Llinas, 2018, Argentina)

652. The Gospel According to St. Matthew (Pier Paolo Pasolini, 1964, Italy-France)

652. Green Snake (Tsui Hark, 1993, Hong Kong)

652. Gummo (Harmony Korine, 1997, USA)

652. Heaven's Gate (Michael Cimino, 1980, USA)

652. Irma Vep (Olivier Assayas, 1996, France)

652. It Happened One Night (Frank Capra, 1934, USA)

652. Kes (Ken Loach, 1969, UK)

652. The Kid (Charles Chaplin, 1921, USA)

652. Kind Hearts and Coronets (Robert Hamer, 1949, UK)

652. Knight of Cups (Terrence Malick, 2015, USA)

652. The Man Who Sleeps (Bernard Queysanne, 1974, France-Tunisia)

652. Manchester by the Sea (Kenneth Lonergan, 2016, USA)

652. Mean Streets (Martin Scorsese, 1973, USA)

652. Mommy (Xavier Dolan, 2014, Canada)

652. New Rose Hotel (Abel Ferrara, 1998, USA)

652. Nosferatu the Vampyre (Werner Herzog, 1979, West Germany-France)

652. Oasis (Lee Chang-dong, 2002, South Korea)

652. Paddington 2 (Paul King, 2017, UK-France-USA)

652. Poetry (Lee Chang-dong, 2010, South Korea)

652. Prince of Darkness (John Carpenter, 1987, USA)

652. The Red Circle (Jean-Pierre Melville, 1970, France-Italy)

652. The Saragossa Manuscript (Wojciech Has, 1965, Poland)

652. A Star is Born (George Cukor, 1954, USA)

652. Stranger Than Paradise (Jim Jarmusch, 1984, USA)

652. Teorema (Pier Paolo Pasolini, 1968, Italy)

652. Throw Away Your Books, Rally in the Streets (Shuji Terayama, 1971, Japan)

652. Les Vampires (Louis Feuillade, 1915, France)

652. The Vanishing (George Sluizer, 1988, Netherlands-France)

652. What Time is it There? (Tsai Ming-liang, 2001, Taiwan-France)

652. Young Frankenstein (Mel Brooks, 1974, USA)

[ORANGE'71]

14 votes

 

652. Manchester by the Sea (Kenneth Lonergan, 2016, USA)

652. Prince of Darkness (John Carpenter, 1987, USA)

 

 

"Prince of Darkness" как раз на днях глянул. Довольно средненький хоррор. Почему он так высоко здесь - непонятно.

[empathy]

688. Celine (Jean-Claude Brisseau, 1992, France)

652. Heaven's Gate (Michael Cimino, 1980, USA)

 

из моего топа фильмы пошли

[EMoushen]

Академия добавила в свои ряды 395 новых членов

Актеры:

 

 

Yahya Abdul-Mateen II – “The Trial of the Chicago 7,” “Us”

Maria Bakalova – “Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan,” “XIIa”

Vidya Balan – “Tumhari Sulu,” “Kahaani”

Nicole Beharie – “Miss Juneteenth,” “42”

Kingsley Ben-Adir – “One Night in Miami…,” “Noelle”

Hugh Bonneville – “Downton Abbey,” “Paddington 2”

Jesse Borrego – “Colombiana,” “Con Air”

Carrie Coon – “The Nest,” “Gone Girl”

Laverne Cox – “Promising Young Woman,” “Bad Hair”

Andra Day – “The United States vs. Billie Holiday,” “Cars 3”

Clea DuVall – “Argo,” “Zodiac”

Henry Golding – “A Simple Favor,” “Crazy Rich Asians”

Eiza Gonzalez – “I Care a Lot,” “Baby Driver”

Kimberly Norris Guerrero – “The Glorias,” “Hidalgo”

Nicholas Guest – “Big Hero 6,” “Rango”

Ye-ri Han – “Minari,” “Worst Woman”

Vanessa Kirby – “Pieces of a Woman,” “Mission: Impossible – Fallout”

Nathan Lane – “The Producers,” “The Birdcage”

Jonathan Majors – “Da 5 Bloods,” “The Last Black Man in San Francisco”

Luis Gerardo Mendez – “Charlie’s Angels,” “Murder Mystery”

Wagner Moura – “Sergio,” “Wasp Network”

Ramsey Nouah – “’76,” “The Figurine”

Leslie Odom, Jr.* – “One Night in Miami…,” “Harriet”

Robert Pattinson – “Tenet,” “The Lighthouse”

Clarke Peters – “Da 5 Bloods,” “Harriet”

Paul Raci – “Sound of Metal,” “No Ordinary Hero: The SuperDeafy Movie”

Issa Rae – “The Lovebirds,” “The Photograph”

Stephen Root – “Get Out,” “Office Space”

Jurnee Smollett – “Birds of Prey and the Fantabulous Emancipation of One Harley Quinn,” “The Great Debaters”

Isiah Whitlock, Jr. – “Da 5 Bloods,” “BlacKkKlansman”

Steven Yeun – “Minari,” “Burning”

Yuh-Jung Youn – “Minari,” “The Housemaid”

 

https://www.indiewire.com/2021/07/academy-new-members-steven-yeun-yuh-jung-youn-robert-pattinson-1234648150/

[тот кот]

15 votes

 

627. Almost Famous (Cameron Crowe, 2000, USA)

627. Audition (Takashi Miike, 1999, Japan-South Korea)

627. Before Midnight (Richard Linklater, 2013, USA)

627. La Belle noiseuse (Jacques Rivette, 1991, France)

627. The Bridge on the River Kwai (David Lean, 1957, UK)

627. Cameraperson (Kirsten Johnson, 2016, USA)

627. Crumb (Terry Zwigoff, 1994, USA)

627. Day for Night (Francois Truffaut, 1973, France)

627. Django Unchained (Quentin Tarantino, 2012, USA)

627. Dog Star Man (Stan Brakhage, 1964, USA)

627. Early Summer (Yasujiro Ozu, 1951, Japan)

627. The House is Black (Forugh Farrokhzad, 1963, Iran)

627. The Human Condition I (Masaki Kobayashi, 1959, Japan)

627. Incendies (Denis Villeneuve, 2010, Canada-France)

627. Lancelot du Lac (Robert Bresson, 1974, France-Italy)

627. The Life Aquatic with Steve Zissou (Wes Anderson, 2004, USA)

627. Meek's Cutoff (Kelly Reichardt, 2010, USA)

627. Platform (Jia Zhangke, 2000, China-Hong Kong-Japan-France)

627. Prisoners (Denis Villeneuve, 2013, USA)

627. Scream (Wes Craven, 1996, USA)

627. Shadow of a Doubt (Alfred Hitchcock, 1943, USA)

627. The Sound of Music (Robert Wise, 1965, USA)

627. Spring in a Small Town (Fei Mu, 1948, China)

627. Through a Glass Darkly (Ingmar Bergman, 1961, Sweden)

627. Toy Story 3 (Lee Unkrich, 2010, USA)

627. Who Framed Roger Rabbit? (Robert Zemeckis, 1988, USA)

 

16 votes

 

603. After Life (Hirokazu Koreeda, 1998, Japan)

603. Au revoir les enfants (Louis Malle, 1987, France)

603. Les Diaboliques (Henri-Georges Clouzot, 1955, France)

603. Down by Law (Jim Jarmusch, 1986, USA)

603. Festen (Thomas Vinterberg, 1998, Denmark)

603. The Fly (David Cronenberg, 1986, USA)

603. The Human Condition III (Masaki Kobayashi, 1961, Japan)

603. The Hunt (Thomas Vinterberg, 2012, Denmark-Sweden)

603. I Walked with a Zombie (Jacques Tourneur, 1943, USA)

603. The Innocents (Jack Clayton, 1961, UK)

603. JFK (Oliver Stone, 1991, USA)

603. The Killing of a Chinese Bookie (John Cassavetes, 1976, USA)

603. The Long Gray Line (John Ford, 1955, USA)

603. Morocco (Josef von Sternberg, 1930, USA)

603. My Winnipeg (Guy Maddin, 2007, Canada-USA)

603. The Rocky Horror Picture Show (Jim Sharman, 1975, UK)

603. Stroszek (Werner Herzog, 1977, West Germany)

603. Syndromes and a Century (Apichatpong Weerasethakul, 2006, Thailand-France-Austria-Netherlands)

603. Tabu (F.W. Murnau, 1931, USA)

603. Two-Lane Blacktop (Monte Hellman, 1971, USA)

603. Unbreakable (M. Night Shyamalan, 2000, USA)

603. The Wind Rise (Hayao Miyazaki, 2013, Japan)

603. The Witch (Robert Eggers, 2015, USA-UK-Canada-Brazil)

 

17 votes

 

570. Being There (Hal Ashby, 1979, USA)

570. The Blues Brothers (John Landis, 1980, USA)

570. Bonnie and Clyde (Arthur Penn, 1967, USA)

570. Charade (Stanley Donen, 1963, USA)

570. Collateral (Michael Mann, 2004, USA)

570. Exotica (Atom Egoyan, 1994, Canada)

570. Godzilla (Ishiro Honda, 1954, Japan)

570. Gone Girl (David Fincher, 2014, USA)

570. The Grapes of Wrath (John Ford, 1940, USA)

570. Happy Hour (Ryusuke Hamaguchi, 2015, Japan)

570. The Hustler (Robert Rossen, 1961, USA)

570. The Incredibles (Brad Bird, 2004, USA)

570. Indiana Jones and the Last Crusade (Steven Spielberg, 1989, USA)

570. Kiss Me Deadly (Robert Aldrich, 1955, USA)

570. The Lady from Shanghai (Orson Welles, 1948, USA)

570. Long Day's Journey Into Night (Bi Gan, 2018, China-France)

570. The Maltese Falcon (John Huston, 1941, USA)

570. Midsommar (Ari Aster, 2019, USA-Sweden)

570. A New Leaf (Elaine May, 1971, USA)

570. The Pianist (Roman Polanski, 2002, France-Poland-Germany-UK-Netherlands)

570. Porco Rosso (Hayao Miyazaki, 1992, Japan-France)

570. The Purple Rose of Cairo (Woody Allen, 1985, USA)

570. Raising Arizona (Joel Coen & Ethan Coen, 1987, USA)

570. Rocky (John G. Avildsen, 1976, USA)

570. Rope (Alfred Hitchcock, 1948, USA)

570. Rosetta (Jean-Pierre Dardenne & Luc Dardenne, 1999, Belgium-France)

570. Shaun of the Dead (Edgar Wright, 2004, UK-USA-France)

570. Sonatine (Takeshi Kitano, 1993, Japan)

570. Stand by Me (Rob Reiner, 1986, USA)

570. This is Spinal Tap (Rob Reiner, 1984, USA)

570. The Time to Live and the Time to Die (Hou Hsiao-hsien, 1985, Taiwan)

570. The Trial (Orson Welles, 1962, France-West Germany-Italy)

570. The Wicker Man (Robin Hardy, 1973, UK)

[ORANGE'71]

Critics Poll: ‘Quo Vadis, Aida?’ Named Best Film of 2021 So Far By Over 100 Critics

 

1) Quo Vadis, Aida? (21 votes)

2) In the Heights (20)

3) Summer of Soul (16)

4) The Killing of Two Lovers (15)

5) Riders of Justice (14)

6) Saint Maud (14)

7) The Father (13)

8) Judas and the Black Messiah (13)

9) The Mitchells vs. The Machines (12)

10) About Endlessness (11)

11) Shiva Baby (10)

12) The Spark Brothers (10)

13) Truffle Hunters (8)

14) New Order (8)

15) Undine (8)

16) The Disciple (8)

17) Moffie (7)

18) I Carry You With Me (6)

19) Barb and Star Go to Vista Del Mar (6)

20) Beginning (6)

[Walter666]

Festival de Cannes

@Festival_Cannes

#Belle, the new animation film by Mamoru Hosoda in will world premiere at #Cannes2021 in the #CannesPremiere section! It is the first #OfficialSelection for the Japanese director. More info

Добавили всё-таки Хосоду.

[тот кот]

17,33 votes

 

569. Through the Olive Trees (Abbas Kiarostami, 1994, Iran-France)

 

17,5 votes

 

568. Kill Bill Vol. 2 (Quentin Tarantino, 2004, USA-China)

 

18 votes

 

546. A nos amours (Maurice Pialat, 1983, France)

546. Airplane! (Jim Abrahams, David Zucker & Jerry Zucker, 1980, USA)

546. La Belle et la bete (Jean Cocteau, 1946, France)

546. Broadcast News (James L. Brooks, 1987, USA)

546. Butch Cassidy and the Sundance Kid (George Roy Hill, 1969, USA)

546. Close Encounters of the Third Kind (Steven Spielberg, 1977, USA)

546. Dawn of the Dead (George A. Romero, 1978, USA)

546. Day of Wrath (Carl Theodor Dreyer, 1943, Denmark)

546. Dersu Uzala (Akira Kurosawa, 1975, USSR-Japan)

546. Dishonored (Josef von Sternberg, 1931, USA)

546. Full Metal Jacket (Stanley Kubrick, 1987, USA)

546. Ghost in the Shell (Mamoru Oshii, 1995, Japan)

546. Harold and Maude (Hal Ashby, 1971)

546. In Bruges (Martin McDonagh, 2008, USA-UK-Germany)

546. Life is Beautiful (Roberto Benigni, 1997, Italy)

546. The Marriage of Maria Braun (Rainer Werner Fassbinder, 1979, West Germany)

546. Moulin Rouge! (Baz Luhrmann, 2001, Australia-USA)

546. Scarface (Brian De Palma, 1983, USA)

546. Scattered Clouds (Mikio Naruse, 1967, Japan)

546. The Story of the Last Chrysanthemums (Kenji Mizoguchi, 1939, Japan)

546. Thief (Michael Mann, 1981, USA)

546. Wendy and Lucy (Kelly Reichardt, 2008, USA)

 

19 votes

 

519. Ace in the Hole (Billy Wilder, 1951, USA)

519. Carrie (Brian De Palma, 1976, USA)

519. The Cremator (Juraj Herz, 1969, Czechoslovakia)

519. Death in Venice (Luchino Visconti, 1971, Italy)

519. The Florida Project (Sean Baker, 2017, USA)

519. The Gleaners & I (Agnes Varda, 2000, France)

519. Inside Out (Pete Docter & Ronaldo Del Carmen, 2015, USA)

519. The Last Laugh (F.W. Murnau, 1924, Germany)

519. Leon (Luc Besson, 1994, France)

519. Little Women (Greta Gerwig, 2019, USA)

519. Margaret (Kenneth Lonergan, 2011, USA)

519. The Meetings of Anna (Chantal Akerman, 1978, France-Belgium-West Germany)

519. Nausicaa of the Valley of Wind (Hayao Miyazaki, 1984, Japan)

519. Once Upon a Time in Anatolia (Nuri Bilge Ceylan, 2011, Turkey-Bosnia and Herzergovina)

519. Only Yesterday (Isao Takahata, 1991, Japan)

519. Paper Moon (Peter Bogdanovich, 1973, USA)

519. Paprika (Satoshi Kon, 2006, Japan)

519. Partie de campagne (Jean Renoir, 1936, France)

519. Pastoral: To Die in the Country (Shuji Terayama, 1974, Japan)

519. Peeping Tom (Michael Powell, 1960, UK)

519. The Piano (Jane Campion, 1993, New Zealand-Australia-France)

519. The River (Jean Renoir, 1951, France-India-USA)

519. The Scarlet Empress (Josef von Sternberg, 1934, USA)

519. Spider-Man: Into the Spider-Verse (Bob Persichetti, Peter Ramsey & Rodney Rothman, 2018, USA)

519. Stagecoach (John Ford, 1939, USA)

519. Talk to Her (Pedro Almodovar, 2002, Spain)

519. Wanda (Barbara Loden, 1970, USA)

[Walter666]

546. Scattered Clouds (Mikio Naruse, 1967, Japan)

519. Paprika (Satoshi Kon, 2006, Japan)

О, из моего списка пошли.

[тот кот]

923. From the Clouds to the Resistance (Jean-Marie Straub & Daniele Huillet, 1979, Italy-West Germany-UK-France) - 9 votes

652. The Gospel According to St. Matthew (Pier Paolo Pasolini, 1964, Italy-France) - 14 votes

652. La flor (Mariano Llinas, 2018, Argentina) - 14 votes

627. Dog Star Man (Stan Brakhage, 1964, USA) - 15 votes

546. Wendy and Lucy (Kelly Reichardt, 2008, USA) - 18 votes

519. Wanda (Barbara Loden, 1970, USA) - 19 votes

У меня пока так. Думал, фильмы Пазолини и Рейхардт будут повыше, честно говоря.

 

Аниме и японского кино что-то чересчур много, да.