Шазам (Shazam!)

[Mr. Wayne]

Спасибо Сандбергу (или кому-то другому), что вырезал шутку про пердёж (пердел Ливай, если кому вдруг интересно).

 

Сын Тони: шутим про порно

десе: шутим про пердёж (вырезали, но всё равно вставили в раздел с доп. материалами -_-)

 

а вы ещё на фигу гоните. Вот где уровень.

[DandyAndy]

Закари Ливай

This last year has been fascinating. The last few, actually. Two years ago today I was moving to Toronto, for the 4th time 3 years, to begin working on Shazam, one of the single greatest gifts I’ve ever been handed. Ironically, just 4 months prior, I wasn’t even sure if I wanted to live anymore. My goals, and visions, and hopes, and dreams, and therefore expectations for myself, have always been a lot. So much so that when I surveyed my life a few years back, I genuinely felt like I was failing it. Failing myself. Failing my family. Failing the world. I didn’t feel worthy of the love that was around me. I didn’t feel worthy of any of the things I had achieved up to that point.

 

And, when presented with an opportunity to audition for Shazam! the first time, I turned down the opportunity as I ultimately didn’t feel worthy of such a role. Then came therapy. Then came the beginning of finally loving myself. And THEN came the miracle that was me stepping into this life changing role. I will no doubt be on the journey of self love for the rest of life, and I’m so grateful for the lessons and strength found thru the darkness.

 

But I will also be forever indebted to David F. Sandberg, Peter Safran, Richard Brener, and everyone at New Line Cinema and Warner Bros and DC Comics, for believing I was worthy of wearing this cape, even while I was still learning to believe that myself. (Thank you, Jim Lee, for this incredible artwork. You’ve always been one of my favorite comic artists. And now you’re my friend)

 

[ATTACH]596290[/ATTACH]

[Гвалиор]

Такое себе. Приёмная семья прикольная, но слишком мало.

Слишком уж по-детски даже для детей.

Камео какое-то идиотское, откочерыженная башка - это что было?

 

Авария с родителями героями по-моему, первая среди трёх за этот год (Шазам, Тёмный Феникс, и кто-то ещё).

4 из 10.

[DandyAndy]

[ATTACH]601733[/ATTACH]

 

 

[DandyAndy]

По многочисленным просьбам, Сандберг вернул Супермену голову :lol:

[Kranker]

еще одна победа тру-фанатов

[Dracula5]

В чувстве юмора Сандбергу не откажешь.

[Танцор34]

Но Сандберг ката мы судя по всему не увидим

[DandyAndy]

 

 

[gearswik]

[Dark_Hierophant]

[Andrewx]

Да уж. Видел на днях. Это больно.

[Davo KinOman]

...

Камео какое-то идиотское, откочерыженная башка - это что было?

...

 

Это что бы снова усы не зарисовывать

[DandyAndy]

Сёма - фанат Шазама

[DandyAndy]

Сценарист Генри Гайден о вкладе Уолтера Хамады

Screenwriters tend to grouse about studio execs and their notes (sometimes it's deserved), but I always tell this story as an example of how transformative a good note can be, and since Walt left DC today, here it is...

 

In early drafts of Shazam!, Billy's parents were dead.

 

Late in Act 2, he discovered their gravestones in a Philly cemetery. It was very rote, very “we’ve-seen-this-in-other-movies,” and yet, I thought – I hoped! - the visual of a kid finding his parents’ gravestones might prove affecting.

 

Then, one weekend, out of nowhere, Walt called me up and said, “What if Billy’s mom is still alive but doesn’t want him?” My immediate response was: “No. No way. That’s wayyyy too heavy for a movie this lighthearted.”

 

To be clear, the writer (me) was telling the studio exec/president (Walt) that he was going too far out on a limb, that he was taking too big of a swing creatively. I was adamant about how it wouldn’t work.

 

So we ended the conversation with him saying, “Just try writing it. He finds his mom, and she doesn’t want him. If it doesn’t work, we have the cemetery scene. Try it.”

 

I hung up. All I had was the basic idea. No character. No setting. I sat down and tried to write the scene.

 

An hour later, it was my favorite scene in the movie.

 

That was the scene that movie needed -- so much so that when we were filming it, I told our producer on set, “If this scene doesn’t work, the whole movie doesn’t work.”

 

Unbeknownst to me, the actress playing Billy’s mom (Caroline Palmer) was 10 feet away from me when I said that. She later told me that my words chilled her. Terrified her. I can’t believe I did that to her. Luckily, she was even better than we dreamed.

 

I still believe the movie wouldn’t fully work without that scene. And it was Walt’s idea. I literally told him he was crazy.