Calamity Hustle

[DandyAndy]

 

 

 

 

 

Режиссеры

Аарон Ни

Адам Ни

 

Авторы сценария

Аарон Ни

Адам Ни

 

Продюсеры

Райан Рейнольдс

Ченнинг Татум • Аарон Ни

Адам Ни • Кевин Дж. Уолш

 

*****

 

РАЙАН РЕЙНОЛЬДС • ЧЕННИНГ ТАТУМ

 

 

Комедийный боевик

 

Полицейский (Рейнольдс) должен выследить своего брата-преступника (Татум), замешанного в краже алмазов.

И сделать это раньше тех, кого он ограбил.

 

Анонс

Изменено 11.04.2024 20:25 пользователем DandyAndy

[DandyAndy]

Warner Bros Wins Massive ‘Calamity Hustle’ Bidding Battle

Warner Bros has won a week long auction for Calamity Hustle, the action comedy that will star Ryan Reynolds and Channing Tatum. Adam & Aaron Nee wrote the script, and they will direct. All the studios were in on this, but it came down to Amazon, Netflix and Warner Bros. Led by production chiefs Michael De Luca and Pam Abdy, Warner Bros stepped up for the kind of star-driven movie that fueled the studio’s fortunes back in the day.

 

The spec is likened in tone to the mismatched buddy actioner like Lethal Weapon, and the hope is to launch a franchise. Reynolds will play a cop who is estranged from his low level criminal brother (Tatum). They grew up on the wrong side of the tracks, and went in the opposite direction. When bro is implicated as part of a diamond heist, the cop must hunt him down before those he ripped off. The film will shoot in New York, Los Angeles and Las Vegas. It will be set around the holiday season — it worked for Lethal Weapon and Die Hard — and there will be big action set pieces with hopes this will launch a franchise. There was speculation about budget when the package was first floated. Sources said the hope is to deliver it for $140 million. The stars will make in the $25 million range guaranteed, with strong backends. Like I said, Warner Bros stepped up.

It looked for days like this was going to be another pricey package gobbled by a streamer, but Warner Bros’ rallying might signal a change in these auctions. Streamers would pay higher than a traditional theatrical studio could, but the game is changing, and more filmmakers are demanding theatrical releases for films like Napoleon and Killers of the Flower Moon, before films land on streaming sites. A theatrical release with a P&A spend if anything establishes these movies in the pop culture, where many streaming only films come and go with limited awareness because there’s no P&A. But streamers won’t want to pay the premiums for those films, preferring to share with the studio collecting the distribution fee.