Девушка с татуировкой дракона (The Girl with the Dragon Tattoo)

[MemphisRains]

Исправили

Да, все правильно, это по каким номинациям Сони будет продвигать фильм.

 

Молодцы

[D_A_R_Y_A]

Исправили

 

Ну слава богу

[MemphisRains]

Рецензия - 4 из 5

 

На инглише:

 

Nojas Bladet

 

Roar Delicious & masterful

 

Blomkvist (Craig) interviews Henry Vangen (Plummer) in Hedeby.

 

Vulnerability Salander Rooney Mara shows a fragile side of Lisbeth. Photo: Sony Pictures

 

The Swedish environments are dark and nasty.

 

 

 

The Girl With the Dragon Tattoo

Director: David Fincher, with Daniel Craig, Rooney Mara, Christopher Plummer, Stellan Skarsgard.

"The Girl With the Dragon Tattoo" is one hell of a journey - crazy, nasty and sexier than the Swedish original

Draw between Naomi Rapace and Rooney Mara as to which of those most and best Lisbeth Salander.

 

In almost all other areas is David Finchers Stieg Larsson film "The Girl With the Dragon Tattoo" superior to the Swedish film.

 

One is immediately caught in a vise you can not get out.

 

The only reason that every now and then still free from the grip, is that as Swedish and (moved) locals sometimes struck by second thoughts. Why has David Fincher filmed on that street? There's the house I lived in for 30 years. Oh, Per Myrberg is also featured in a few seconds. Wow, where did my buddies on SVT's "Rapport" his three seconds in the Hollywood limelight.

 

With Trent Reznors and Karen O's rock-hard version of the Led Zeppelin classic "Immigrant Song" in the background, putting David Fincher once again the mood of a film with the help of incredibly violent titles. Think James Bond films luxury vignettes, though this macabre, scary, crazy. And considering where the story takes place feels like the song's opening lines of text - a-ah-ahh-ah, ah-ah-ahh-ah, we come from the land of ice and snow, From the midnight sun Where the hot springs blow - as if Jimmy Page / Robert Plant is already 41 years ago wrote them with a Stieg Larsson film version in mind.

 

65 million books sold

In the review of the Swedish film "Men Who Hate Women" in February 2009, was my thinking a bit about how to behave when you write about movies based on successful suspense novels. Should I pretend that you do not know how it ends? Did then that just Stieg Larsson (1954-2004) book was a good example when it was sold in less than three million copies.

 

Now the figure is 65 million!

 

So it is enough perhaps to write to Daniel Craig plays journalist Mikael Blomkvist, that Rooney Mara is a computer hacker Lisbeth Salander and Christopher Plummer is Henrik Vang, the incredibly wealthy industrialist who asks for help to solve the mystery of mysteriously missing family member Harriet.

 

The few people who do not have any relation to this history, can be prepared for a hell of a movie trip.

 

For which the Swedish film was good, is the U.S. on the verge of a masterpiece of its genre.

 

One reason is Steven Zaillians masterful screenplay. Where in the Swedish film already knew that it would make three films about Lisbeth Salander's story and where "Men who hate women" became a kind of siding to it, has this totally focused on Vang-history. As for the latter two books did not exist. The plot becomes more dense, more concentrated.

 

Considerably larger budget

Another reason is the budget. The entire Swedish 'Millennium' project costing about one hundred million, this has been almost ten times as much money for a movie.

 

Combining it with David Fincher - one of the best and most iconic directors in the world in the last 15, 16 years - so believe seventeen make it better.

 

He is a perfectionist and aestheticians deluxe. If it is just a train that runs through the northern ten seconds, so do the train, in a howling blizzard gorgeous shot. If Lisbeth Salander father away on the motorcycle in Stockholm the night, so probably have David Fincher sought out the most cinematic cobbled hill.

 

The music of the Swedish film I remember barely, although I saw the other day. Trent Reznors and Atticus Ross music is there all the time. They have created a whole forest crazy world of sound that chafe, disturb, annoy and continually drives the story. Greatest threat that they will not win an Oscar, is well that they won last time, the Finchers' The Social Network ".

 

The pace limps

Many questions require answers:

 

Why the verge of a masterpiece?

 

The pace limps a little when the flip rustling with all these old pictures of family Vangen from the 1960s. Nor David Fincher have any manners at the portrait of Michael Blomkvists director Erika Berger (Robin Wright) and her impact on history.

 

Do I really need a movie to the same story?

 

They differ more time than expected. Finchers movie is sexier and has more closeness in the relationship between Lisbeth Salander and Mikael Blomkvist. Stellan Skarsgård's role as Martin Vangen is both larger and much sharper in outline than Peter Haber. The entire last third of the movie is pretty thoroughly different.

 

They talk really Swenglish?

 

The rumor that everyone speaks English with a Swedish accent proved to be exaggerated.

 

Superior to the Swedish

Naomi Rapace or Rooney, Mara?

 

Both have similar goth and punk look, but otherwise Rapace Salander more vigorous and tough, while Mara feels younger, more vulnerable, as she forces herself to action. Draw.

 

On all other points are David Finchers film superior to the Swedish=)

 

Линия одежды

 

Изменено 12.12.2011 22:08 пользователем MemphisRains

[MemphisRains]

The List-UK(4/5)

 

Mara and Fincher elevate a populist novel into a compelling drama of bleakness and corruption

 

David Fincher directs a version of Stieg Larsson’s Millenium trilogy – revenge thrillers don’t come with more high-powered credentials than that. While Steven Zaillian’s script sticks a little too closely to the labyrinthine plotting of the original novel, Fincher amps up the dark poetry of the visuals to create an ugly, modern fable that’s considerably more potent than the Swedish version.

 

The story is familiar enough by now; ageing patriarch Henrik Vanger (Christopher Plummer) hires investigative journalist Mikael Blomkvist (Daniel Craig) to look into the coldest possible case; the disappearance of Vanger’s grand-nice, forty years earlier. Blomkvist travels to the Vanger family residence on an isolated island while computer-hacker Lisabeth Salander (Rooney Mara), forms an uneasy alliance with Blomkvist to solve the mystery.

 

Breaking from the recent success of The Social Network, with The Girl with the Dragon Tattoo Fincher has returned to his favoured métier of the serial killer thriller, as explored in Seven and Zodiac. Larsson’s book gives Fincher plenty to feast on, allowing him to create an oppressive atmosphere of violence and latent menace

 

Despite raising his game from the somewhat taciturn performances in Dream House and Cowboys and Aliens, Daniel Craig takes second place to Rooney Mara, who’s bitter, striking performance is a long way from her girl-next-door in The Social Network. Exuding a barely suppressed rage in every scene, Mara and Fincher elevate a populist novel into a compelling, if overlong drama of bleakness and corruption.

 

Премьера в Лондоне

[Queen Renata]

Американский киноинститут (AFI) включил фильм в десятку лучших 2011 г. Посмотрим, как киноакадемики отреагируют.

[MemphisRains]

На томатах на данный момент 4 положительных и одна отрицательная.

Средний балл 7.6 из 10.

[spoknok]

The List-UK(4/5)

 

 

Премьера в Лондоне

 

+ Видео с него. Крэйг + Мара.

[MemphisRains]

 

+ Видео с него. Крэйг + Мара.

 

И опять написали что ремейк

 

Отзывы на томатах (пока все идет хорошо)

 

As played by Mara, Lisbeth is the ultimate badass; a formidable force of hyperintellect and raging sexuality.

 

.. if you love these books, then consider this a Christmas present.

 

Another piece of brilliant filmmaking by Fincher that along with Se7en and Zodiac form the definitive box set exemplifying the perfect crime investigation trilogy.

 

A bracing and completely absorbing thriller.

 

You'll be happier with the film if you don't expect fidelity to source material, but that doesn't mean you'll hate it if you loved Niels Arden Oplev's movie.

[D_A_R_Y_A]

Отзывы на томатах (пока все идет хорошо)

 

Да никто и не сомневался, что все пойдет хорошо

[MGraz]

Американский киноинститут (AFI) включил фильм в десятку лучших 2011 г. Посмотрим, как киноакадемики отреагируют.

 

Что-то глядя, как прокатывают критики, ничего серьезного ожидать не приходится уже. Хорошо, если будет несколько номинаций, особенно для Мары (ну тут Сони ее должны продвигать как следует).

 

Отзывы людей со вчерашних показов колеблются от средне-восторженных до сильно-восторженных, причем от фанатов, у которых ожидания были высокими. Это радует.

 

Критики тем временем дают хорошие рецензии, но не отличные (9 из 10, 4 из 5). Я думаю, скорее всего дело в источнике. Во многих рецензиях книгу, материал называют pulpy, чтиво. Критикам сложно давать высшую оценку и называть в числе лучших фильм, который основан не элитарной литературе или классике, а на масс-культурной книге.

 

Поэтому на награды надежд не особо много, а на зрительскую любовь - много .

[MemphisRains]

Топ критик 1 всего, хочу мнение Треверса почитать)

[MysteryMan]

На томатах 94% пока и 1 отрицательная рецензия (но там критик откровенный засранец - этот Эд Гонсалес всегда хорошее кино опускает)

[MemphisRains]

На томатах 94% пока и 1 отрицательная рецензия (но там критик откровенный засранец - этот Эд Гонсалес всегда хорошее кино опускает)

 

А сейчас ни один фильм 100% не получит, даже если он этого заслуживает)

[Вест]

Отзыв Волобуева отменный! Прямо вот убрал все сомнения о фильме.

[Осипов Николай]

А сейчас ни один фильм 100% не получит, даже если он этого заслуживает)

 

Я даже больше скажу, не один фильм впринцыпе не может получить 100% ни тогда не сейчас Такого единодушия просто не существует в природе...

[MysteryMan]

Я даже больше скажу, не один фильм впринцыпе не может получить 100% ни тогда не сейчас Такого единодушия просто не существует в природе...

 

Может:

http://www.rottentomatoes.com/m/toy_story_2/

[KinoDark]

Отзыв Волобуева отменный! Прямо вот убрал все сомнения о фильме.

 

Где почитали? Дайте ссылку.

[MemphisRains]

Может:

http://www.rottentomatoes.com/m/toy_story_2/

 

Ну это раньше. Сейчас такое вряд ли будет.

[MysteryMan]

Ну это раньше. Сейчас такое вряд ли будет.

 

Сейчас тоже есть. Но 30-40 рецензий не очень показательно

[MemphisRains]

Где почитали? Дайте ссылку.

 

http://twitter.com/#!/romanvolobuev/status/146543731863072768

[KinoDark]

http://twitter.com/#!/romanvolobuev/status/146543731863072768

 

Спасибо

Изменено 13.12.2011 22:20 пользователем KinoDark

[MemphisRains]

The Girl With the Dragon Tattoo is a brilliant franchise movie, but since it is a franchise movie, Fincher obviously felt duty-bound to retain the book's somewhat lumpy structure. Once the mystery is solved, there's still a major chunk to go of thorny financial-logistical gamesmanship. It's not that this stuff is boring, but it does seem like an anticlimax. What redeems it, dramatically, is that it's all framed through the eyes of Lisbeth, and Mara, without going soft, draws us to a quality deep inside her beyond her ability to solve a crime. By the end, she can feel something, maybe a touch of tenderness. Even as she breathes fire. A

 

EW

[Novus]

После добротной шведской трилогии только Финчер, Крейг и Руни вселяют надежду, хотя малую - Крейг в роли Блумквиста смотрится гораздо лучшее оригинала, а вот чтобы заставить забыть созданный Нуми Рапас образ Лисбет - Финчеру придется постараться.

[D_A_R_Y_A]

[Олив]

Скажите, пожалуйста, у кого-нибудь есть эта фотография в очищенном виде?