Французский вестник (The French Dispatch)

Зачем такое длинное название? На афише все равно не поместится в к/т лол

"Французский вестник" будет большими буквами, а остальное ниже, мелким шрифтом.

Вполне возможно, что такое витиеватое название наоборот заинтересует зрителя.

"The French Dispatch" у нас перевели на русский, а "Liberty, Kansas Evening Sun" просто транслитерировали. Где логика?

Так благозвучно.

Фремо хочет Уэса в Канны

The artistic director has also been urging Wes Anderson and Disney’s Searchlight to screen “The French Dispatch” at Cannes, fulfilling the auteur’s initial intention to premiere the film on the Riviera, a plan that was scuttled in 2020 when the pandemic forced the festival to cancel. One film the festival is considering screening is Nicolas Cage starrer “Pig,” a drama about a truffle hunter searching for his kidnapped foraging pig.

если фест снова не отменят

Фремо хочет Уэса в Канны

Завезут

Cannes Confirms ‘The French Dispatch' and ‘Benedetta' Will Be Part of the 2021 Lineup

Премьера в Каннах, в прокате с 22 октября

Также покажут в рамках кинофестиваля в Нью-Йорке

«Я видел Тимми [Тимоте Шаламе] в „Леди Берд“ и „Зови меня своим именем“, и у меня никогда не было сомнений, что он подойдет для этой роли. <…> Он говорит по-французски и выглядит так, будто действительно вышел прямо из фильма Эрика Ромера где то в 1985 году.», — рассказал Уэс Андерсон в интервью GQ.

[ATTACH]621752[/ATTACH] [ATTACH]621753[/ATTACH]

[ATTACH]621754[/ATTACH] [ATTACH]621755[/ATTACH]

[ATTACH]621756[/ATTACH] [ATTACH]621757[/ATTACH]

тоже собирался пересмотреть обители зла и магнолию.

Гуру юмора.)

[ATTACH]621784[/ATTACH]

Что же мне это напоминает, кпц мучительно. Что-то вроде этого, но более конкретное.

эстетский мод включился, а память нет.

#TheFrenchDispatch is the most Wes Anderson movie to ever Wes Anderson. It packs about 10 different movies in just 2 hours, each segment crazier and more imaginative than the last. For a brief moment it goes animated like a Tin Tin comic strip and I almost cried. #Cannes2021

The French Dispatch is a flood of words and details, you can be overwhelmed or just go with it and get swept away. This is a pretty big statement but it's the best-looking film Wes Anderson has ever made; mixing black-and-white, animation, pastels, miniatures, and even sexuality.

THE FRENCH DISPATCH: colourful, warm, engaging and inventive even by Wes' standards. A briefly bookended triptych of stories that rely on the dedication and penmanship of great journalism. Yes, Chalamet is very good; so is Swinton, Wright, McDormand and Del Toro. #Cannes2021

“Recover” is not a word I’d normally associate with a Wes Anderson movie but this is what the sensory overload of THE FRENCH DISPATCH left me with: so much to see, unpack, chuckle at, pause on. Can’t wait to write on this — and watch it again. #Cannes2021

The French Dispatch is an overwhelming visual feast even for Wes Anderson. Del Toro, McDormand and Wright are stand outs. I’m a big fan. #Cannes

Much to relish in The French Dispatch, a magazine-style set of jaunty featurettes. It’s crisp, amusing & impeccably done - but maybe also a bit rote & constrained. Wes Anderson cramped by his own house style #cannes2021

THE FRENCH DISPATCH: Wes Anderson at his most visually inventive and least emotionally involving. anthologies will do that to ya. starts strong (Jacques Tati! Dirty Tilda! Benicio doing the mr fox growl a lot), peters out as it goes. fun enough to be worthy of an editor’s burial.

The Guardian 4/5

The French Dispatch, long delayed by Covid, has on the strength of the extensively picked-apart trailer, been condemned as more of the same. To which I can only say … sure, yes, more fun, more buoyancy, more elegance, more marvellously eccentric invention, more originality. It might not be at the very zenith of what he can achieve but for sheer moment-by-moment pleasure, and for laughs, this is a treat.

Variety

Anderson’s characters may be caricatures of serious writers, and yet, the movie’s tone is more consistent with The New Yorker’s comedic contributors: James Thurber’s cartoons, Woody Allen’s absurdity, Steve Martin’s satirical treatment of artists, critics and other cultural charlatans. Where “The Grand Budapest Hotel” served as an homage to a single writer, Austrian novelist Stefan Zweig, “The French Dispatch” is Anderson’s arms-wide-open tribute to a generation of complicated geniuses, so the winks come as dense and dizzying as guilty-pleasure movie references do in a Quentin Tarantino picture.

 

It can be fun to play detective when presented with such a collage, but “The French Dispatch” is a first-class pastiche, and as such, all those influences have been recombined into something new and original. That’s good news for those who aren’t longtime readers of The New Yorker, since this squirrelly collection of shorts is meant to stand on its own. In the past, the director has been accused of making overly contrived dollhouse movies, and while he repeats many of his favorite tricks — toying with aspect ratios, centering characters in symmetric compositions, revealing a large building in intricate cross-section — this time it feels as if there’s a full world teeming beyond the carefully controlled edges of the frame.

The Wrap

In movies like “The Grand Budapest Hotel,” Anderson has relished going off on tangents from the main story in the past; he even created an entirely separate prologue, “Hotel Chevalier,” to sit in front of “The Darjeeling Limited.” But “The French Dispatch” is all tangent, no main story – Murray’s character and his magazine serve as a way to pay tribute to the New Yorker, but they’re really just a framing device for some unrelated wacky stories that nod to many of Anderson’s favorite stories, designs and pieces of European (mostly French) cinema.

 

The result is hugely impressive and awfully scattershot, a wry piece of art that is always entertaining but also so excruciatingly detailed that you wonder if it will connect the way the more emotional, more fully drawn stories of “Grand Budapest,” “Moonrise Kingdom” or “The Royal Tenenbaums” did.

 

It’s best, maybe, to think of “The French Dispatch” as a series of exquisite miniatures – amusing, meticulously designed and impeccably executed, but maybe not adding up to much more than the sum of their parts.

Deadline

There can never have been a film so entirely marked and dominated by preciously perfectionist compositions, arcane detail, meticulous camera moves, ornate decor, historical and design minutiae, styles of typography, precision diction, arch attitude, obsessive attention to cultural artifacts and loyalty to Oscar Wilde’s notion that art needn’t express anything other than itself. This is Anderson in full flower, one that only grows in a rarified altitude.

Such cumbersome matters as narrative coherence, palpable emotional currents and anything resembling la vie quotidienne are exiled from this most rarified of cinematic environments, all the better for the flourishing of a highly artificial parallel version of life in which prostrating oneself on the altar of aestheticism for its own sake is a consummation devoutly to be wished.

Рецухи,что читаю, довольно странные. Вроде все пишут,что хорошо, но в целом... Не выделяют, кроме декораций толком ничего. Прочла что этот фильм и есть Уэс.

Пока кажется,что мимо любых наград Канн .

Все равно жду. Но не думаю,что мне это будет настолько же интересно,насколько был Отель .

Короче поняла,что мне это напоминает... По структуре это что-то типа "Баллада Бастера Скраггса" будет .

Блин... еще пишут,что Деспла самоповторился((

87 на Мете после 5 рец. Две соточки.

ЛФ грядет?