Берлинский кинофестиваль 2020

ПРЕЗИДЕНТ ЖЮРИ: ДЖЕРЕМИ АЙРОНС

ЖЮРИ: БЕРЕНИС БЕЖО, БЕТТИНА БРОКЕМПЕР, АННМАРИ ДЖАСИР,

КЕННЕТ ЛОНЕРГАН, ЛУКА МАРИНЕЛЛИ, КЛЕБЕР МЕНДОНСА ФИЛЬО

ФЕВРАЛЬ 20 - МАРТ 1, 2020

COMPETITION

BERLIN ALEXANDERPLATZ (Burhan Qurbani, Germany, 183’)

DAU. NATASHA (Ilya Khrzhanovskiy and Jekaterina Oertel, Germany / Ukraine / UK / Russia, 145’)

THE WOMAN WHO RAN (Hong Sangsoo, Republic of Korea, 77’)

DELETE HISTORY (Benoit Delepine, Gustave Kervern, France / Belgium, 110’)

BAD TALES (Damiano D'Innocenzo and Fabio D'Innocenzo, Italy / Switzerland, 98’)

FIRST COW (Kelly Reichardt, USA, 122’)

IRRADIATED (Rithy Panh, France / Cambodia, 88’)

NEVER RARELY SOMETIMES ALWAYS (Eliza Hittman, USA, 101’)

THE INTRUDER (Natalia Meta, Argentina / Mexico, 90’)

DAYS (Tsai Ming-Liang, Taiwan, 127’)

THE ROADS NOT TAKEN (Sally Potter, UK, 85’)

MY LITTLE SISTER (Stephanie Chuat and Veronique Reymond, Switzerland, 99’)

THE SALT OF TEARS (Philippe Garrel, France / Switzerland, 100’)

THERE IS NO EVIL (Mohammad Rasoulof, Germany / Czech Republic / Iran, 150’)

SIBERIA (Abel Ferrara, Italy / Germany / Mexico, 92’)

ALL THE DEAD ONES (Caetano Gotardo and Marco Dutra, Brazil / France, 120’)

UNDINE (Christian Petzold, Germany / France, 90’)

HIDDEN AWAY (Giorgio Diritti, Italy, 118’)

ENCOUNTERS

FUNNY FACE (Tim Sutton, USA, 95’)

GUNDA (Victor Kossakovsky, Norway / USA, 93’)

ISABELLA (Matias Pineiro, Argentina, 80’)

THE SHEPHERDESS AND THE SEVEN SONGS (Pushpendra Singh, India, 96’)

LOS CONDUCTOS (Camilo Restrepo, France / Colombia / Brazil, 70’)

THE LAST CITY (Heinz Emigholz, Germany, 100’)

MALMKROG (Cristi Puiu, Romania / Serbia / Switzerland / Sweden / Bosnia / Macedonia, 200’)

THE METAMORPHOSIS OF BIRDS (Catarina Vasconcelos, Portugal, 101’)

NAKED ANIMALS (Melanie Waelde, Germany, 83’)

ORPHEA (Alexander Kluge, Khavn, Germany, 99’)

SHIRLEY (Josephine Decker, USA, 106’)

SERVANTS (Ivan Ostrochovsky, Slovakia / Romania / Czech Republic / Ireland, 80’)

THE TROUBLE WITH BEING BORN (Sandra Wollner, Austria / Germany, 94’)

THE WORKS AND DAYS (OF TAYOKO SHIOJIRI IN THE SHIOTANI BASIN) (C.W. Winter, Anders Edstrom, USA / Sweden / Japan / Hong Kong, China / UK, 480’)

KILL IT AND LEAVE THIS TOWN (Mariusz Wilczynski, Poland, 88’)

BERLINALE SPECIAL

THE AMERICAN SECTOR (Courtney Stephens, Pacho Velez, USA, 70’)

CHARLATAN (Agnieszka Holland, Czech Republic / Ireland / Poland / Slovakia, 118’)

CURVEBALL (Johannes Naber, 108’)

DAU. DEGENERATION (Ilya Khrzhanovskiy, Ilya Permyakov, 355’)

GOLDA MARIA (Patrick Sobelman, Hugo Sobelman, France, 115’)

HIGH GROUND (Stephen Maxwell Johnson, Australia, 104’)

HILLARY (Nanette Burstein, USA, 252’)

LAST AND FIRST MEN (Johann Johannsson, Iceland, 70’)

MINAMATA (Andrew Levitas, UK, 115’)

MY SALINGER YEAR (Philippe Falardeau, Canada / Ireland, 101’)

NIGHT SHIFT (Anne Fontaine, France, 98’)

NUMBERS (Oleg Sentsov in collaboration with Akhtem Seitablaiev, Ukraine / Poland / Czech Republic / France, 104’)

THE NUTTY PROFESSOR (Jerry Lewis, USA 1963, 107’)

ONWARD (Dan Scanlon, USA, 103’)

PARIS CALLIGRAMMES (Ulrike Ottinger, France / Germany, 129’)

PERSIAN LESSONS (Vadim Perelman, Russia / Germany / Belarus, 127’)

PINNOCHIO (Matteo Garrone, Italy / France, 124’)

TIME TO HUNT (Yoon Sung-hyun, Republic of Korea, 134’)

SPEER GOES TO HOLLYWOOD (Vanessa Lapa, 97’)

SWIMMING OUT TILL THE SEA TURNS BLUE (Jia Zhang-ke, People’s Republic of China, 112’)

FORUM

ANNE AT 13,000FT (Kazik Radwanski, Canada / USA, 75’)

A STORM WAS COMING (Javier Fernandez Vazquez, Spain, 87’)

THE NOTES OF ANNA AZZORI / A MIRROR THAT TRAVELS THROUGH TIME (Constanze Ruhm, Austria / Germany / France, 72’)

THE HOUSE OF LOVE (Luca Ferri, Italy, 77’)

WINDOW BOY WOULD ALSO LIKE TO HAVE A SUBMARINE (Alex Piperno, Uruguay / Argentina / Brazil / Netherlands / Philippines, 80’)

ENTRE PERRO Y LOBO (Irene Gutierrez, Cuba/Spain, 75’)

THIS IS MY DESIRE (Arie Esiri, Chuko Esiri, Nigeria/USA, 116’)

FREM (Viera Cakanyova, Czech Republic / Slovak Republic, 73’)

GENERATIONS (Lynne Siefert, USA, 67’)

GOROD USNUL (Maria Ignatenko, Russia, 71’)

STRIKE OR DIE (Jonathan Rescigno, France, 93’)

THE EXIT OF THE TRAINS (Radu Jude, Adrian Cioflanca, Romania, 175’)

AS ABOVE SO BELOW (Sarah Francis, Lebanon, 70’)

ART COMES FROM THE BEAK THE WAY IT HAS GROWN (Sabine Herpich, Germany, 106’)

RED MOON TIDE (Lois Patino, Spain, 84’)

LIGHT IN THE TROPICS (Paula Gaitan, Brazil, 255’)

MAGGIE’S FARM (James Benning, USA, 84’)

MEDIUM (Edgardo Cozarinsky, Argentina, 70’)

THE ALIEN (Nader Saeivar, Iran, 89’)

OECONOMIA (Carmen Losmann, Germany, 89’)

OUVERTURES (Louis Henderson, Olivier Marboeuf together with The Living and the Dead Ensemble, UK / France, 132’)

PETIT SAMEDI (Paola Sermon-Dai, Belgium, 75’)

THE CALMING (Song Fang, China, 89’)

CORPORATE ACCOUNTABILITY (Jonathan Perel, Argentina, 68’)

ZERO (Kazuhiro Soda, Japan / USA, 128’)

THE TANGO OF THE WIDOWER AND ITS DISTORTING MIRROR (Raul Ruiz, Valeria Sarmiento, Chile, 64’)

UPPERCASE PRINT (Radu Jude, Romania, 128’)

AFTER THE CROSSING (Joel Richmond Mathieu Akafou, France / Cote d’Ivoire, 77’)

THE TWENTIETH CENTURY (Matthew Rankin, Canada, 90’)

THE TWO SIGHTS (Joshua Bonnetta, Canada / UK, 84’)

VICTORIA (Sofie Benoot, Liesbeth De Ceulaer, Isabelle Tollenaere, Belgium, 71’)

THE VIEWING BOOTH (Ra’anan Alexandrowicz, Israel / USA, 70’)

DIVINELY EVIL (Gustavo Vinagre, Brazil, 86’)

WHAT REMAINS / RE-VISITED (Clarissa Thieme, Germany / Austria / Bosnia and Herzegovina, 70’)

ZEUS MACHINE. THE INVINCIBLE (Nadia Ranocchi, David Zamagni Italy, 74’)