Полночное небо (The Midnight Sky)

Клуни в разговоре с телеведущей Эдит Боуман

In conversation with Bowman, Clooney also went in deep on The Midnight Sky, a film which he had hoped to show on the biggest of screens, prior to the onset of the pandemic. “We shot it on 65[mm] so that we could take it to IMAX,” he told Bowman with regret. “And you got to watch it on a screen about [the size of an iPad].”

 

Noting that he misses the theatrical viewing experience that has been lost throughout much of this year, Clooney said that the novel initially came to him via the team at Netflix. “The guys at Netflix sent it over to me to act in it. I read it and loved it, and thought I’d actually rather take a swing at directing it,” he explained. “I’d done a couple of space movies, so I knew how complicated the space stuff was going to be, but this one felt like a really intimate story about what mankind is capable of doing to mankind. I also liked the idea of a story of redemption, and this was kind of the ultimate story of redemption.”

 

The first part of the shoot took place in Iceland, and posed a test of physical endurance, with 70 mph winds, at 40 degrees below zero. An added challenge came when Clooney learned that his co-star Felicity Jones, who was set to portray an astronaut, was pregnant. “I was in the middle of Iceland, really miserable, and she goes ‘So, there’s news. I’m pregnant.’ I’m like ‘Great.’ And then I go, ‘Okay, that complicates things,’” the director shared. “She was so gung-ho. She wanted to do all the wirework. But I was like ‘No, we’re not putting anyone pregnant on a wire.’”

 

When Clooney learned of Jones’s pregnancy, he initially considered VFX head replacement for some of the actress’s more physically demanding scenes. Ultimately, though, he leaned in and adapted, revising the narrative so that Jones’s Sully had gotten pregnant while in space. “And it changed everything for us,” he said. “It gave us something to lean into for the end of the movie, which I think ends up being a big bonus for us, along the way.”

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Ты сценарий не читал, а только обзор

Надо иметь свое мнение!

Только просмотр

Ты сценарий не читал, а только обзор

Надо иметь свое мнение!

Только просмотр

какое-то время драфт был в сети тащемто.

правда я его не читал

к сожалению клуни за пределами стилизованной политоты никакой.

Не помню удачных сай фаев у нетфликса. Марсианин и Гравитацию мы уже видели, непонятно зачем кушать вчерашний бутерброд из их объедков. Ну и последние фильмы Клуни провалились по всем фронтам

Да, последние режиссерские работы Клуни - это конечно дно дна.

Уловка 22 уж точно не дно дна.

Ну, это касалось полнометражных фильмов (The Monuments Men, Suburbicon).

О, это как минимум недурственно.

Не помню удачных сай фаев у нетфликса.

Немой.

Марсианин и Гравитацию мы уже видели, непонятно зачем кушать вчерашний бутерброд из их объедков.

Ну приплети еще любой фильм где события в космосе.

сценарий тупорылый, спите дальше

какое-то время драфт был в сети тащемто.

 

правда я его не читал

Аргументация 100 левела.

Немой

Худший фильм года

сценарий тупорылый, спите дальше

Хороший рофл, но не пройдёт. Иди спи, диванный критик.:lol:

Total Film — Декабрь 2020

Интервью с Клуни

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‘The Midnight Sky’ Soars Into Oscar Race as Director George Clooney’s Magnum Opus

THE MIDNIGHT SKY is easily my favorite of all the films George Clooney has directed. A perfect ensemble and Clooney keeps going in new directions as a director - I was caught off guard by how much I fell for it.

THE MIDNIGHT SKY is part News of the World, part Gravity. Maybe George Clooney’s most vulnerable performance. Visually thrilling and an absolutely stunning score from Alexandre Desplat.

The Midnight Sky is a stunner. Beautiful cinematography and a piece-de-resistance from Alexandre Desplat. George Clooney’s directing delivers a visual stunner. Loved it.

The Midnight Sky is George Clooney’s biggest movie and one of his stronger directorial efforts. Somewhere between Gravity and The Martian, it’s sci-fi with brains and a heart. Plus, it’s easily the front runner in Visual Effects.

For all of THE MIDNIGHT SKY's grandness, its wrestling with mortality, the score, VFX, and its deep ensemble — the George Clooney film left me cold.

Often frustrating, The Midnight Sky almost redeems itself at the end but it just turns out to be...fine? The stories* it’s telling are not as interesting as the global catastrophe event that is never truly explained. Score and production design are sometimes good, sometimes eek. The performances are solid. This one might have been a bit too out of Clooney’s comfort zone tho.

THE MIDNIGHT SKY -- Takes a long time to really get going, but once it does, hold on to your butts because it's an intense ride. An exciting and emotional film about maintaining a glimmer of hope in a hopeless situation. Clooney is great. I loved it.

More like The Midnight Snooze. But really, I don’t see The Midnight Sky satisfying a holiday crowd hunting for this year’s Bird Box. It’s glossy but inert.

Despite stunning visuals, impeccable production values, and Desplat's gorgeous score, THE MIDNIGHT SKY is undone by a ghastly, predictable screenplay. Clooney's majestic direction is hugely impressive, but hokey dialogue and plot holes damage the final product.

Худший фильм года

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На MT пока что 53 после 9 рецензий

теперь больше верится. а то нетфликс и сразу лучший фильм клуни? здрасьте забор покрасьте