Одна ночь в Майами (One Night in Miami)

Элдис Ходж о работе с Реджиной Кинг

“She’s fantastic. People are going to be really impressed. If you’ve ever met her, you understand that she’s such a sweet woman, such a sweetheart, [a] real down to the earth, salt of the earth kind of woman.”

“She understands how to handle actors because she is such a phenomenal actress. I think she brings all of that empathy and understanding to directing others. She’s really a partner, not a dictator, on set. She gives us the room and space to really discover and play. She’s phenomenal.”

Первый кадр

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People

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Рецы пошли

Variety

In 1964, a Quartet of African-American Legends Talk the Night Away in Regina King’s Captivating Directorial Debut

King turns “One Night in Miami” into a real movie, staging it with a flowing visual confidence and vibrant emotional flair that gives it a fly-on-the-wall authenticity. The fact that these four are unwinding in a motel room, matching wits and ideas and teasing out their underlying rivalries, never feels like a conceit.

THR

A stirring power play.

The towering performance that centers the nuanced ensemble work, however, is British actor Ben-Adir's laser-focused, quietly impassioned Malcolm. While he's not averse to talking down to his friends from a lofty soapbox (at one point he calls them "bourgeois Negroes, too happy with your scraps"), there's never a moment where you're not convinced this is a man of integrity who stands 100 percent behind his words.

IndieWire A-

Armed with a fresh script from playwright Kemp Powers and a revelatory series of star turns from her cast, King's first feature is a powerful look at Black excellence.

“One Night in Miami” (and both King and Powers) exhibits great affection for its central characters, but it never feels like a hagiographic exercise. That bent extends to not just the more pointed of revelations that unfold in its second half, the more biting of conversations that rage through the foursome, but in the film’s more easy-going first act.

The Playlist B-/C+

It sounds like the set up for a one-room play, and that’s because it is based on one, and therein lies the major issue with “One Night in Miami” as a film. When it is playing to the strengths of the cinematic form, it can be dynamic, exciting, even moving – viz an ending in which Sam Cooke, played by Leslie Odom Jr, sings “A Change Gonna Come” over the epilogue. But when – and this forms the greater part of the movie – we’re in that small hotel room, with four outsize characters pacing out their tightly choreographed marks, celebrating and castigating each other in equal measure in the kind of singleminded, expository dialogues that almost never happen in real life, we quickly start to wonder when the curtain’s going to fall.

The Guardian 4/5

The result is theatrical, claustrophobic and immensely watchable

100%

8.22/10

36 rated Fresh

0 rated Rotten

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A hauntingly powerful reflection on larger-than-life figures, One Night in Miami finds Regina King in command of her craft in her feature directorial debut.

Элдис Ходж и Реджина Кинг

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главное - перетерпеть первый ознакомительный час, ко второму уже начнётся то, ради чего нужно смотреть. хорошие (Одом-мл. поёт своим голосом!) перфомансы, отличная музыка, интересные дискуссии. но очень удивлюсь, если будут продвигать режиссёрскую работу на номинации, она тут, грубо говоря, формальна. да и немного удивился, что всё это оказалось выдумано хехех( странные фантазии

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надо бы пересмотреть, когда выйдет легально, а то с моими проблемами со слухом и ограниченным звуком на ноутбуке малость упустил некоторые фразы(

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With One Night in Miami, Regina King emerges as a filmmaking force