Треугольник печали (Triangle of Sadness)

Анимация?

По сюжету очередная левацкая сатира на капитализм.

Возобновились съемки в Швеции

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Ремейк аккурат через сто лет?)

@XanBrooks

Swept away by Ruben Ostlund’s sprawling, hilarious Triangle of Sadness: a luxury yacht-com that’s like Gramsci making Carry on Cruising, or Luis Bunuel’s Poseidon Adventure. Class war, vomit gags & Woody Harrelson as the tale’s soused Captain Haddock #Cannes2022

@firstshowing

Ruben Ostlund you maddddd fucking genius!!!!!!!!

@TheGregoryE

It’s a bit long but I loved Triangle of Sadness. Hilarious. Insightful. And super sexy Harris Dickinson. Bravo! #Cannes

@robbiereviews

@TheGregoryE

Sense we’re in the minority position on this one, but massively ditto

@mrRuimy

TRIANGLE OF SADNESS is outrageous satire. Overlong, but very good. Some moments had me in stitches. Ostlund is a master at making you both uncomfortable and laughing at the same time. Maybe the best comedy I’ve seen at Cannes since TONI ERDMANN #Cannes

@SamuelAAdams

I don’t know if TRIANGLE OF SADNESS has anything new to say about social hierarchies, but it says it in extremely funny and, more importantly, deliciously sadistic fashion #Cannes

@drjonty

Rueben Ostlund’s Triangle of Sadness literally showers shit on the one percenters and their enablers. And it’s glorious.

Эрлич Grade: C+

If not for de Leon’s bold and heartsick performance, “Triangle of Sadness” would fail to achieve any real measure of the physical discomfort that has animated so much of 214;stlund’s previous work. A beautifully shot movie so fixated upon the aesthetic value of human bodies can only get by on being really, really, ridiculously good-looking for so long before it needs to cut under the skin. “Talking about money is unsexy,” Yaya concludes in the first 20 minutes. If only 214;stlund didn’t have so much more to say about it. And so little.

Дэвид Руни

As facile as Triangle of Sadness becomes, 214;stlund at least provides full-circle follow-through when beauty and sex once again become bartering assets and a late gag mocks the global obsession with branded luxury goods. But this is a glib movie, self-indulgent in its extended running time and far too amused with its easy digs at wealth and privilege.

Variety

The thing about 214;stlund is that he makes you laugh, but he also makes you think. There’s a meticulous precision to the way he constructs, blocks and executes scenes — a kind of agonizing unease, amplified by awkward silences or an unwelcome fly buzzing between characters struggling to communicate. First “The Square,” then “Triangle.” No matter what sphere he tackles, we’re bound to see the world differently.

Вторая ветка

Я счастлива.

The Palme d’or winner is Ruben OSTLUND for TRIANGLE OF SADNESS !

красавец!

Ремейк аккурат через сто лет?)

Салтыков-Щедрин был раньше всех))

После Квадрата Треугольник? пусть будет Геометрическая поэма - обязательно надо смотреть! Квадрат очень понравился, задел, заставил периодически возвращаться к нему мысленно, дважды пересматривала и ещё буду смотреть.

Без надрыва и истерик, практически в тишине (я в восторге от музыкального сопровождения в Квадрате!!), с любовью к людям - о людях, их слабостях, умении признавать ошибки. До Квадрата для меня был один Данелия, теперь есть ещё Эстлунд. Рада за него!

Завтра трейлер

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