Оскар 2023

Судя по реакциям, Вавилон отваливается, но в десятку ЛФ наверняка проскочит.

Ну, теперь хоть есть явный вакантный слот для Полли

В режиссуре по-моему дела щас так:

Спилберг

Дэниелсы

Филд

Макдона

Полли/Шазелл

Сильно разочарован пятым полным метром ирландской студии Cartoon Saloon (The Secret of Kells; Song of the Sea; The Breadwinner; Wolfwalkers) - "My Father's Dragon" ирландки Норы Туми (The Secret of Kells; The Breadwinner).

Убрал мульт из оскаровской пятерки, несмотря на 4/4.

Апдейт по анимации:

1. Guillermo Del Toro's Pinocchio (Netflix)
   
2. Turning Red (Pixar)
   
3. Wendell & Wild (Netflix)
   
4. Puss in Boots: The Last Wish (DreamWorks | Universal)
   
5. Strange World (Disney)
    
    
   
6. The Bad Guys (DreamWorks | Universal)
   
7. My Father's Dragon (Cartoon Saloon | Netflix)
   
8. Marcel the Shell with Shoes On (A24)
   
9. The Sea Beast (Netflix)
   
10. Minions: The Rise of Gru (Illumination | Universal)
     
     
    
11. Apollo 10 1/2: A Space Age Childhood (Netflix)
    
12. Lightyear (Pixar)
    
13. The Amazing Maurice (Viva Kids)
    
14. Inu-Oh (GKids, 2021)
    
15. Luck (Apple+Paramount)

Вообще, получается, очень слабенький год для анимации.

На Премии ФКП наверняка будет Синкай. Если успеет.

Wish I shared others’ enthusiasm but I thought THE FABELMANS was only pretty good and definitely lesser Spielberg.

Everything focusing on the parents is a chore, feeling like an After School Special that’s also Oscar bait.

Джефф Снайдер отреагировал на твит ViewerAnon'а

Pretty good will get the job done this season. I can't even fathom another winner at this point, unless Emancipation or Avatar just blow me away.

There's nothing else. Weak year. I can't wait to laugh at the replies to this tweet that will inevitably reference movies w/ no chance

Сильно разочарован пятым полным метром ирландской студии Cartoon Saloon (The Secret of Kells; Song of the Sea; The Breadwinner; Wolfwalkers) - "My Father's Dragon" ирландки Норы Туми (The Secret of Kells; The Breadwinner).

 

Убрал мульт из оскаровской пятерки, несмотря на 4/4.

 

Апдейт по анимации:

 

1. Guillermo Del Toro's Pinocchio (Netflix)
   
2. Turning Red (Pixar)
   
3. Wendell & Wild (Netflix)
   
4. Puss in Boots: The Last Wish (DreamWorks | Universal)
   
5. Strange World (Disney)
    
    
   
6. The Bad Guys (DreamWorks | Universal)
   
7. My Father's Dragon (Cartoon Saloon | Netflix)
   
8. Marcel the Shell with Shoes On (A24)
   
9. The Sea Beast (Netflix)
   
10. Minions: The Rise of Gru (Illumination | Universal)
     
     
    
11. Apollo 10 1/2: A Space Age Childhood (Netflix)
    
12. Lightyear (Pixar)
    
13. The Amazing Maurice (Viva Kids)
    
14. Inu-Oh (GKids, 2021)
    
15. Luck (Apple+Paramount)

 

 

Вообще, получается, очень слабенький год для анимации.

На Премии ФКП наверняка будет Синкай. Если успеет.

Синкай вряд ли успеет. Европейский и американский прокат "Сузумэ, закрывающей двери" начнется не раньше весны 2023 года.

Синкай вряд ли успеет. Европейский и американский прокат "Сузумэ, закрывающей двери" начнется не раньше весны 2023 года.

i try not to read into guild/academy screening response too much but the audience reaction to Elvis last night was something i’ve never seen before.

standing ovations throughout the film? turning away lines and crowds of people an hour before the film starts.

After the first SAG Q&A I did, I knew Austin Butler was getting nominated.

After last night, I’m pretty convinced Baz Luhrmann is too

Post-Gotham update

Picture:

Everything Everywhere All at Once (A24) - 35,23%

TAR (Focus) - 33,2

Women Talking (MGM/UAR) - 16,83

The Fabelmans (Universal) - 8,13

Triangle of Sadness (Neon) - 2,36

Babylon (Paramount) - 1,7

Top Gun: Maverick (Paramount) - 1,7

The Banshees of Inisherin (SLP) - 0,84

Directing:

The Fabelmans (Steven Spielberg) - 16,96

TAR (Todd Field) - 49,05

Everything Everywhere All at Once (Daniels) - 15,82

Babylon (Damien Chazelle) - 9,09

Avatar: The Way of Water (James Cameron) - 9,09

Actor:

Colin Farrell, The Banshees of Inisherin (SLP) - 47,07

Brendan Fraser, The Whale (A24) - 25,32

Bill Nighy, Living (SPC) - 15,8

Austin Butler, Elvis (WB) - 11,81

Actress:

Cate Blanchett, TAR (Focus) - 56,73

Michelle Yeoh, Everything Everywhere All at Once (A24) - 15,91

Michelle Williams, The Fabelmans (Universal) - 10,33

Margot Robbie, Babylon (Paramount) - 9,13

Danielle Deadwyler, Till (MGM/UAR) - 7,91

Original Screenplay:

Everything Everywhere All at Once - 19,86

The Banshees of Inisherin (DISQ) - 8,99

Tar - 29,55

The Fabelmans - 25,56

Triangle of Sadness (DISQ) - 8,5

Babylon - 7,54

Adapted Screenplay:

Women Talking - 45,1

Glass Onion: A Knives Out Mystery- 22,92

The Whale (DISQ) - 11,5

Living (DISQ) - 10,39

She Said - 10,09

International Film:

Close (Belgium / A24) - 69,15

Decision to Leave (South Korea / Mubi) - 22

Saint Omer (France / Super LTD) - 3,28

Holy Spider (Denmark / Utopia) - 1,7

Bardo (Mexico / Netflix) - 1,42

All Quiet on the Western Front (Germany / Netflix) - 1,23

Argentina, 1985 (Argentina / Amazon) - 1,23

***

В ЛФ сменился лидер! За счет очной победы на Готэме. А Спилберг пока буксует в прокате.

Да, пожалуй, на данный момент я вангую "Everything Everywhere All at Once" победы в ЛФ, скрипте и мужском саппорте (кстати, интересно, что Ке Хюи Куан это тот мальчик, который играл у Спилберга в "Индиана Джонс и Храм судьбы" (1984)).

Фрейзер уступил на Готэме и остался без номинации Спирита.. Дедуайлер тоже без номинации Спирита.

Да, пожалуй, на данный момент я вангую "Everything Everywhere All at Once" победы в ЛФ, скрипте и мужском саппорте (кстати, интересно, что Ке Хюи Куан это тот мальчик, который играл у Спилберга в "Индиана Джонс и Храм судьбы" (1984)).

звучит пока фантастично, но посмотрим.

хорошо хоть вовремя одумался и выкинул Фабельманов. я никогда в них не верил

звучит пока фантастично, но посмотрим.

хорошо хоть вовремя одумался и выкинул Фабельманов. я никогда в них не верил

Если "Банши" выиграет скрипт на Оскаре, то тогда ЛФ между ним и Спилбергом.

Ну кроме Фабельманов и EEAAO я не вижу кандидатов на победу в ЛФ.

Год назад: это точно Белфаст vs Собака

Четыре месяца спустя: ой.

И вот.

Думаю, можно ограничить число кандидатов в потенциальные лауреаты ЛФ четырьмя фильмами:

 

Belfast

Licorice Pizza

Nightmare Alley

The Power of the Dog

Год назад: это точно Белфаст vs Собака

Четыре месяца спустя: ой.

 

 

И вот.

Это не редкий случай, а новые реалии

"T'es morte Helene" посмотреть не планируешь?

Как бы ты описал новые реалии? Тезисно.

 

"T'es morte Helene" посмотреть не планируешь?

Старт пандемии, плачевный прокат среднебюджетного "престижного кино" и засилье стримингов. Обновление состава голосующих. Раньше академики крутили носом на Нетфликс каждый год, а теперь другие реалии

Не планирую, слишком назойливая реклама тут.

Erik Anderson

@awards_watch

 

Avatar (2009) missed both AFI and NBR Top 10 mentions and still went on to earn nine Oscar nominations and three wins. Avatar: The Way of Water (2022) made both lists.

хм

Erik Anderson

@awards_watch

 

Avatar (2009) missed both AFI and NBR Top 10 mentions and still went on to earn nine Oscar nominations and three wins. Avatar: The Way of Water (2022) made both lists.

хм

`Tar‘ Score, Doja Cat’s ‘Elvis’ Song Deemed Ineligible for Oscar

The disqualification of Icelandic composer Hildur Gudnadottir’s “Tar” score was widely predicted. While some sources claimed that the dramatic score exceeded the minimum 35% of total music in the film, as called for by Academy rules, it may have run afoul of another rule that states “a score shall not be eligible if it has been diluted by the use of pre-existing music.”

“Vegas,” the Doja Cat song from “Elvis,” has been debated for months. The lead single from the soundtrack to Baz Luhrmann’s Presley biopic, it was written by Doja Cat and producers Roget Chahayed and Yeti Beats, but its interpolation of the Presley classic “Hound Dog” (by Mike Stoller and the late Jerry Lieber) apparently doomed it for consideration.

 

Oscar rules demand that both words and music must be “original, and written specifically for the motion picture” and must be the result of “creative interaction between the filmmakers and the songwriters who have been engaged to work directly on the motion picture.”

 

“Vegas” reached no. 10 on the Billboard charts and was the only song from “Elvis” entered for awards consideration.

`Tar‘ Score, Doja Cat’s ‘Elvis’ Song Deemed Ineligible for Oscar

The disqualification of Icelandic composer Hildur Gudnadottir’s “Tar” score was widely predicted. While some sources claimed that the dramatic score exceeded the minimum 35% of total music in the film, as called for by Academy rules, it may have run afoul of another rule that states “a score shall not be eligible if it has been diluted by the use of pre-existing music.”

“Vegas,” the Doja Cat song from “Elvis,” has been debated for months. The lead single from the soundtrack to Baz Luhrmann’s Presley biopic, it was written by Doja Cat and producers Roget Chahayed and Yeti Beats, but its interpolation of the Presley classic “Hound Dog” (by Mike Stoller and the late Jerry Lieber) apparently doomed it for consideration.

 

Oscar rules demand that both words and music must be “original, and written specifically for the motion picture” and must be the result of “creative interaction between the filmmakers and the songwriters who have been engaged to work directly on the motion picture.”

 

“Vegas” reached no. 10 on the Billboard charts and was the only song from “Elvis” entered for awards consideration.

‘Top Gun: Maverick,’ ‘Avatar 2’ and ‘Elvis’ Among 20 Visual Effects Finalists Heading Into Oscars Shortlist Voting

“All Quiet on the Western Front” (Netflix)

“Avatar: The Way of Water” (20th Century Studios)

“Bardo, False Chronicle of a Handful of Truths” (Netflix)

“The Batman” (Warner Bros.)

“Black Adam” (Warner Bros.)

“Black Panther: Wakanda Forever” (Marvel Studios)

“Devotion” (Sony Pictures)

“Doctor Strange in the Multiverse of Madness” (Marvel Studios)

“Elvis” (Warner Bros.)

“Everything Everywhere All at Once” (A24)

“Fantastic Beasts: The Secrets of Dumbledore” (Warner Bros.)

“Good Night Oppy” (Amazon Studios)

“The Gray Man” (Netflix)

“Jurassic World: Dominion” (Universal Pictures)

“Nope” (Universal Pictures)

“RRR” (Variance Films)

“Thirteen Lives” (Amazon Studios/MGM)

“Thor: Love and Thunder” (Marvel Studios)

“Top Gun: Maverick” (Paramount Pictures)